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Monday, may 13, 2019, fuji cardia travel mini dual-p, light and shade.

Fuji Cardia Travel Mini Dual-P, Light and Shade 01

T he Fuji Cardia Travel Mini Dual-P , taking the claim that it was the smallest and lightest full or panorama frame 35mm AF camera when it was first launched, is not actually that petite as it seems. It is big when it comes to features and functionalities. Launched in 1990, the Cardia Travel Mini Dual P is a dual-lens camera. It comes with a 28/45mm F3.5/6.6 Fujinon lens system. The 28mm wide-angle end will bring you right into places and city streets, among the crowd and tall buildings, and the crisscrosses of light and shadows.

The 45mm standard is equally sharp and will take care of people and portraits, group portraits, and photo features. The changeover from one focal length to the other is by a switch on the top plate of the camera, and this is reflected in the viewfinder as well.

Fuji Cardia Travel Mini Dual-P

Film loading is drop-in, where the back is hinged to open just wide enough for the film canister and film tab to be slid into the opening. Film transport is pre-wind, and the exposed frames are wound back into the film canister as the shots are taken.

Fuji Cardia Travel Mini Dual-P

A couple of idiosyncrasies you have to adapt to is the panorama switch is located within the film box area of the camera, meaning that the panorama is pre-set for the whole roll of film. The camera needs two batteries to run, a CR123A in the battery chamber, and a CR2025 3-volt button cell located under the metal film leader inside of the film back.

The Fuji Cardia Travel Mini Dual-P also has an auto power-off switch that turns the camera off after 3 minutes of inactivity.

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Fuji DL-500 review – Tiara’s older brother – by Benn Murhaaya (NSFW)

You may remember my review of Fuji DL Super Mini from a while back, that was something like a crown jewel at the top of the DL line. Now, let’s delve into not-so-top (but also not-so-bottom) of the Fuji’s DL line, the Fuji DL-500

Fuji DL-500 Wide Date, also known as Cardia Travel Mini Dual-P

Let’s start with the name, shall we? This Camerapedia page lists quite a long list of various eponyms for basically the same camera that might differ in some negligible way. The most obvious differentiation is probably the UV filter instead of the lens cover. I will stay with this for a while as I find this a brilliant piece of engineering. Right after Mju kinda slide lens cover/on-off switch which is probably the best this gotta be my second favorite solution. Mechanical covers are quite delicate piece of metal or plastic that easily bend or break and sometimes can even render otherwise functioning camera useless. Of course, the glass can be scratched but on this camera it is below the surface and there are no extreme scratches on it (and remember this camera is now turning 24 years old). Also, those scratches would have to be pretty bad to show up on the photos as they are so close to the lens.

Compared to the younger yet more mature brother – Fuji Tiara II

Other features differentiating various models are color (either black or silver with black being most common), date back (all have date back except one model), panorama mode (mine does not have this bullshit mode) or red eye reduction flash mode (I don’t really care about this one). So I was pretty lucky to score this neat version. Yay me!

Turning the camera on

Why would I start with this paragraph? There is an on-off button on the top. Big deal. Well you bought a new CR123 battery, popped it in, pressed the on-off switch but nothing happens – sort of. The camera will rewind your film back to the cartridge. Weird, right? Key to this weird behavior is second battery. Held by couple of screws there is another CR2023 button type batter located in the film door. With this battery drained the camera cannot do anything. The main CR123 is there for film advance, focusing and flash. Because to change the battery in the door one have to open it rewinding the film to cartridge seem little bit more logical. This reminds me of Canon BF-80 . It also has a separate battery for the date function but unlike the Fuji, you won’t need a screwdriver to change the battery. Canon will also happily shoot away without the battery in the door. Why engineers in Fuji opted for this weird double battery design is a mystery. Tiara only uses one battery for everything, date imprint, focusing, flash…

Date displayed on the back. Other information is displayed as well. Number of frames left, infinity focus and flash mode. Film is not loaded so it does not show the number of exposures left and film load/rewind indicator.

There might be a plus side to this. Some people might consider the camera broken as replacing the main battery won’t do the trick so you can score this one for next to nothing.

Specific features

Previous paragraph might seem that this review won’t be that positive but let’s not get ahead of ourselves. Nice touch is the infinity focus. This button with pictogram of mountains will fix your focus to infinity and disables flash. On my Tiara this is the most used button and on DL-500 it is the same. It won’t get fooled by a window, wire fence or anything. Great feature. All autofocus cameras should have it.

Prague Castle as viewed from windows of Academy of Arts, Architecture and Design. Notice the cheap Czech beer with plastic cups in the foreground. Foma Fomapan 100

Another cool feature that I learnt to love is film pre-wind. They try to sell it under the notion of saving your precious shots if the camera back gets opened (which hardly ever does). This is well and true but for me the main kicker lies in the fact that you know exactly how many pictures you have. Exactly. I can squeeze 38 pictures from my Olympus OM-1 SLR when I load it carefully with every film. But sometimes I leave more slack in the film and can squeeze only 37. When using Fomapans I can squeeze 39 from OM-1 easily as they are longer. These Fujis will pre-wind the film and tell you how much you have. On Mju, once the counter hits 36 it’s done and rewinds no matter how much film there is left. This is also useful with home spooled film.

But let us continue. We can leave the date imprint, self-timer and flash (no, it does not remember flash settings) aside for that is standard stuff and focus on why this camera has word “Dual” in some incarnations of the name. It is because it has dual focal length. That’s right, just a press of a button and the lens will transform from 3 element in 3 group 28/3.5 to 5 element in 5 groups 45/5.6. Not only that, but your viewfinder will change as well! What it does on the inside is that it extends the lens barrel and swings an optical group behind the extended lens.

Lens and image quality

If the swinging a lens group inside the camera sounds flimsy it’s because it is. From all photos I took with the longer focal length only two were sharp. Usually there is an area of soft blurriness in the center and it is getting better as you go toward the borders. Have it been the other way around, it would be more fun. I cannot say if it’s just my model or if it something that plagues these cameras.

Lens in wide (28 mm) vs. normal (45 mm)

Does the review still sound to negative? That’s because I wanted to clear out the bad stuff before I focus on the good stuff. The longer focal length might be crummy but the wide end is completely different story. Three elements in three groups do sound crummy as well but this lens can deliver. I was wowed by the quality.

Such perspective, much geometry – click for the larger version. The date imprint gives it a nice touch. Foma Fomapan 100

While on topic of lenses, I can mention focus as well. The infinity focus works like a charm but how about autofocus? Mirror test (taking selfie in the mirror) revealed that camera focused properly on the mirror surface but otherwise it is reasonably accurate. This is a common problem with many autofocus cameras that use infrared beam. The infrared beam allows for focus in complete darkness but it has its limits. For proper selfie shots, you should opt for something with manual step focus (Like Tiara, Minolta TC-1 or like).

Shot in almost complete darkness. Flash works flawlessly as well. Foma Fomapan 100

When the shutter is half-pressed it extends the lens barrel a little bit to prefocus but the final focusing is done inside. It somewhat reduces the shutter lag. What can on the other hand slow you down is flash. It can take forever to charge it but when it is charged, it works very well even on longer distances. I am very pleased with how photos with flash are turning out.

Exposure wise I don’t have a slightest problem. It does not, like Tiara, shoot very long exposures and stop at around 1/2 of a second. It takes DX coded film from 25 to 1600 ISO. This is standard on more advanced compacts. There is a backlight compensation of +2EV which comes in handy but the camera can handle exposing very well whether in daylight or with flash. Maybe it’s me, knowing the limitations of the camera but I don’t have much if any badly exposed photos. This could have been a one hell of a camera to have back then some quarter century ago. To turn of the flash you need to either fix the infinity or press the flash/exposure comp. button twice. Again, hardware switch for flash and this could have been a cult camera.

Nicely lit scene with proper focus – that’s how I like it. That nice lady in rubber not half bad either. Foma Fomapan 100 Ergonomics and usage

Ergonomics and usage

The camera is nice size. Bit larger than the miniscule Tiara and larger still than Mju for example but it fits neatly into the hand and does not bother me by its size or weight It has a nice flat profile. Weight is just right it does not feel cheap and it’s not unreasonably heavy. It is a pocketable camera for your normal not so skinny pants back pocket but not for your shirt pocket.

Sunset still provide enough light. Drugstore 400 ISO print film

What kind of threw me of was the shutter button. It is rubbery like all buttons on the camera and there is no real half press click. The only way how to know, that you’ve half pressed the shutter is by sound from lens being extended. It does not have this satisfying “click” when you press it completely. It takes a bit of getting used to. Some buttons are a bit hard to press as well especially the infinity focus. It sits next to the exposure comp./flash button (which itself is pressed easily) and is little bit more flush with the surface of the back and takes bit more pressure to activate it. I was thinking about applying a tiny dab of epoxy or Sugru to make a little bump on it but I don’t want to glue the button shut. Maybe I’ll just put a self-adhesive faux Swarowski on it.

Let me just quickly mention the viewfinder. It’s so so, almost okay. The contrast is low, it is prone to flaring and have a blueish cast. The size is okay and we have to give it a credit for changing the FOV when the lens is extended to the longer focal length. What I like about it is; that it does not show much around the frame lines. With some compacts you never really know what will be in the final picture (and it can add to the charm of some of them). There is a LED next to the viewfinder. I took a black marker and painted over it, rendering it much less bright but still visible. It blinks one way when the flash is charging and different way when focus cannot be achieved.

Rear window view lit by sunset – yummy. Drugstore 400 ISO print film

So what do you think? The 45mm focal length is useless (on my piece), it needs two batteries, it has rubbery shutter release, some hard to press buttons, flash takes a while and it does not remember its flash settings (well nobody does except maybe Contax, Minolta TC-1 and some hi end Ricohs and few oddballs here and there). But still, I like it. I like it very much. The infinity focus button is tricky to press but you can get it. I don’t need to shoot many pictures in rapid succession with flash. On the other hand, the picture quality it gives me is outstanding for such camera and is quite responsive as well. It exposes excellently whether with or without flash. Plus the date is rendered in sweet seven segment digits which is much nicer than pixelated digits from Tiara.

Latex might be associated with cleanliness and but that’s not how I roll. Foma Fomapan 100

I am keeping this camera as a second shooter to the Tiara having one loaded with print and the other with black and white. It does not feel so expensive and delicate like the Tiara does while still feeling solid. The fact that all those plastic moving parts still works after 24 years is probably a proof of Japan engineering.

A few more images – some  not safe for work

Benn Murhaaya - http://murhaaya.com

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About The Author

fuji cardia travel

Benn Murhaaya

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5 thoughts on “fuji dl-500 review – tiara’s older brother – by benn murhaaya (nsfw)”.

fuji cardia travel

Great review Benn, and about a camera that until now had passed my by! Thanks again for yet another great contribution to the site!

fuji cardia travel

Thank you 🙂

It is probably the second best from the “fixed” lens DL line.

I might add that the camera feels responsive, especially with the first shot after power on. Flash is charged and the camera is ready to take the picture in the time it takes to put it up to your eye. Second and third pictures will … now there’s a rhytm change. The quick action of the first shot is exchange for quite a waiting time for the flash. However, it is usually the first shot that counts the most 🙂

fuji cardia travel

I just got fuji dl-500. I want to ask you something, it means the camera to full function depends on the back camera door? If i already put the battery in the back of the camera door and nothing happen or appear in the lcd , i just throw it to the garbage? 🙁

For DL-500 to function properly you need a) one CR123A battery that goes in the body and b) one flat CR2032 (if my memory serves me well) that goes into the back. For that you need to open the battery and use a tiny screwdriver.

If you have both batteries in there and both are fresh, then who knows… maybe it is dead 🙁

fuji cardia travel

Spot on with the review.

I have one, and at 28mm the lens is nice and sharp. Exposures seem about right too, and a step above the basic metering found on some compacts. The semi pre-focus on half button press is nice, as is the slightly larger viewfinder than other p&s – I don’t get viewfinder blackout either if I’m not looking at it quite right.

Also agree about the 45mm focal length, mine has the added bonus of leaking light whenever you extend the lens.

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Fujifilm Cardia Tiara/DL Super Mini Camera Review

One of the lightest and smallest point-and-shoot cameras ever built.

Large image with 1.412508 aspect ratio.

Fujifilm Cardia Tiara I, II, and Fujifilm DL Super Mini are all but one point-and-shoot camera with a few minor differences.

It’s tiny (#3 smallest ever ), light (just 153g or 5.4oz), featuring Fujifilm’s 28mm Super EBC aspherical lens in a minimalist aluminum alloy body.

In this review, go over all of this camera’s features, highlight a few sample images, and talk about the lens. This camera reminds me of another great — Minolta TC-1 — to which I’ll make some comparisons (and discern the differences between Tiaras I & II, and Fujifilm DL Super Minis I & II).

Be warned: is a lovely camera but it’s not free of flaws; I’ll list a few things to watch out for below.

Loading 35mm film into tiny Fujifilm Cardia Tiara.

Cardia Tiara in use.

Fujifilm Cardia Tiara is a classic point-and-shoot camera. You only need to know how to load film , how to power this camera on, and where to look when you press the shutter button.

Cardia Tiara feels absolutely tiny in hand yet it’s perfectly usable. Like a clever mechanical or a “smart” watch with a great number of functions and no bulk. It has a matte-grey aluminum body finish that looks and feels like a three-thousand-dollar laptop (but very small).

Small image with 1.408908 aspect ratio.

My first interaction with it — loading film — felt immediately unique.

Fujifilm’s Tiara/DL camera’s film door does not open the full way. Instead, it swings about 15° — just enough to slide a 35mm canister with its leader out in. You still have to stretch the film out until its tip touches the green “FILM TIP” mark; I did it from the other side with my left thumb.

This action felt a little cumbersome though also helpful: anyone smart enough to match shapes can figure this out, including people who’ve never touched film before. Thankfully, there’s also a way to unhinge the door and flip it all the way open to load film the usual way.

Powering Tiara on is also a very intuitive interaction: just slide the thin aluminum cover with a shiny raised logo and the lens comes out with the sound of a small electric motor whirring. Powering it off works the same way in reverse — except the cover stops moving once it touches the retracted lens barrel still in its way; the barrel needs a second to retract — after which you can finish sliding the cover over the glass.

Small image with 1.412508 aspect ratio.

There are cameras with sliding covers and motorized lens bellows that have that problem solved. Tiara isn’t one of them, but it’s also a lot smaller.

Once it’s time to take a picture, you’ll find that the viewfinder on this camera , despite being exceptionally small, isn’t too bad. It’s possible to use Tiara with the glasses on.

The finder includes parallax markings for taking pictures as close as .35m or about a foot and masks for switchable “panorama” mode. Some may call the “panorama” mode wasteful. But if you want an imperfect border around your frames and don’t mind cropping your film, this is the only way on a camera of this size.

If you’re into adding permanent date stamps to your photos — you can do that too. But hurry — the latest year Tiara can display is 2025, so there isn’t much time left for these to be useful! I had them off on mine — you can tell by the “-- -- --” on the rear display next to the frame counter (below).

A panoramic in-camera crop with soft borders. Taken with Olympus LT-1.

Speaking of the frame counter : after inserting the film and closing the door, the camera auto-winds the entire canister onto its spool which may prevent certain disasters. For example, if you’ve accidentally popped your camera open in the middle of your roll, your exposed images would already be wound back onto your roll — so if you’re smart enough to extract your canister then, the photos will be saved. I also appreciate not having a long whirl of a small motor immediately and often unexpectedly after taking the last frame on film.

Of course, with Cardia Tiara, you’ll always know when you’re about to be out as the film counter goes down (similar to Fujifilm TX-1 — a true panoramic 35mm film camera).

Fujifilm Cardia Tiara’s back panel and display.

There isn’t much you can do in terms of controlling your exposure other than turning your flash off (you can also set it to red-eye reduction mode), setting the backlight compensation mode (+2 EV ), or using the night portrait mode. You can cycle through all these modes by pressing the flash⚡️ button. Keep in mind that your preferences will be reset next time you turn your camera on.

Film cameras are significantly more energy efficient than digital sensors (often, there’s no battery required at all). Nevertheless, Tiara shuts off its LCD display after a few minutes of inactivity. It springs back on once you interact with it.

While exposures are strictly up to the camera’s internal light meter, extensive focus controls on this tiny body make zone focusing and hyperfocal focusing (“snapshot” mode) possible. I’ve never used those modes as they are slow and cumbersome to operate but focus locking with half-pressing the shutter is very handy. As is the “landscape 🏔” mode when focusing on far distances.

Thankfully, Cardia Tiara has an excellent missed focus indicator which will blink a small green light next to the viewfinder while preventing the shutter from firing. Many point-and-shoot cameras can’t do this well enough.

Tiara also has a feature that shows you a warning if you accidentally cover the flash with your finger (the small grey bar under the flash bulb is a touch sensor).

Unfortunately, Tiara will want to fire flash with every shot by default (even in bright light), unless you disable it or set your camera to the “landscape 🏔” mode. The good thing about the flash on this camera is that it automatically adjusts its variable brightness, which helps avoid over-exposures .

Cardia Tiara specs.

This camera accepts DX-coded films with speeds of 50-1600 ISO (accurate to 1 stop) and defaults to ISO 100. It takes a single CR2 battery , which should last about ten rolls.

The flash has a 0.4-5sec recycle time and an effective distance of up to 14m (45’) with an ISO 1600 film or 3.5m (11’) with an ISO 100 film.

Cardia Tiara’s shutter can fire between ½ and 1/800th of a second.

Cardia Tiara measures 99.8×60×31.5mm and weighs 153g (5.4oz). It is the 3rd smallest full-frame camera ever built .

The Super EBC Fujinon lens is very wide at 28mm but it only opens up to 𝒇3.5 — which is not surprising at this size. I like how Fujifilm describes the optics of this camera in the manual:

Super EBC Fujinon Lens, f=28 mm, 1:3.5, 4 components, 4 elements including double-face aspherical optical-glass lens elements.

Fujifilm Cardia Tiara with Kodak Portra 400.

Cardia Tiara 28mm 𝒇3.5 Super EBC lens image quality.

Given its size, the lens is impressive. It can be very sharp and resolve a lot of detail. The autofocus system is fairly accurate on this camera, though it can get tripped up by reflective surfaces and setting it on infinity is pretty much a requirement whenever shooting landscapes where the bulk of the detail is 100m/yards+ away.

Fujifilm Cardia Tiara with Fujifilm 400. On a large monitor, you’ll notice that even with a 28mm lens there’s a visible falloff in sharpness for the objects at a great distance compared to a tree that’s about 15m away.

In the best-case scenario, Tiara’s flash will help create natural-looking photographs without over-exposing anything. However, artificial light does not always help — especially with colour films. Because of that, readying this camera can take a little extra time — needed to press the flash button twice in order to disable it.

Fujifilm Cardia Tiara with Fujifilm 400. The variable flash on this camera can produce a matching power output that will keep exposures even.

Back to the lens. Super EBC is very sharp at distances greater than ~1m/3’. It maintains that sharpness across the frame even at wide apertures:

Fujifilm Cardia Tiara with Kodak Ektar 100.

However, that sharpness drops at closer distances, even when the aperture is stopped down :

Fujifilm Cardia Tiara with Fujifilm 400.

Super EBC flares — though no more than you’d expect from an unshaded lens. There aren’t any significant aberrations; the lens makes high-contrast images and the out-of-focus areas create swirly bokeh.

Small image with 3x2 aspect ratio.

Super EBC appears to make a really nice portrait lens. It can separate backgrounds and fill the frame with faces at its close focus distance.

I think it helps that this 28mm lens is housed in such a tiny package with autofocus and auto-exposure. It feels nimble and is the opposite of intimidating.

Given all that this lens brings to the table, you’d be forgiven for thinking that there’s nothing better in the ultra-wide + ultra-small category. But of course, that’s not the case.

Fujifilm Cardia Tiara next to Minolta TC-1.

Cardia Tiara vs Minolta TC-1.

Fujifilm’s Cardia Tiara was launched in 1994 followed by Minolta’s offering in 1996: TC-1. Minolta TC-1 looks very similar to Tiara, yet it is anything but.

In addition to an even sharper, more contrasty, and more flare-resistant lens, TC-1’s apertures that control it are perfectly circular. It also never misses focus as it displays its measurements in the viewfinder — and the focus motor is set during half-press, making the shutter reaction instantaneous. This is in contrast to Tiara’s split-second delay as it moves the lens into position before taking a picture.

TC-1’s aperture can be controlled by hand, or you can trust the camera to set it on its own (though it won’t be circular in the “auto” mode). TC-1 also lets you override film ISO, adjust exposure settings, and has a spot meter mode for perfect exposures with nearly every shot.

TC-1 is made of titanium and is the smallest full-frame camera ever built .

Minolta’s offering is on another level, and it also appears to have fewer defects. But to own this camera, you’ll need to pay three times more than you would for Tiara.

Read the Minolta TC-1 review here .

Cardia Tiara build quality.

Though Tiara is not TC-1, it is still very well made.

The camera’s thin metal shell is beautiful to look at and hold. It may dent when dropped or handled roughly, however, and you’ll need to be a little careful with the plastic battery door. But well-cared for Tiaras feel exquisite in hand — on par with very expensive modern electronics.

I can’t think of a single camera in the same price range that uses such quality materials, is this small, and has such a nice lens.

Cardia Tiara common issues.

Unfortunately, Cardia Tiara cameras have a number of known faults. Thankfully, they are easy to identify and avoid.

Cardia Tiara I and DL Super Mini  I have a battery door that’s detachable and can sometimes get lost. The II is attached to the body, though it may have issues with locking in place.

More commonly, I’ve seen (and experienced) these cameras fail to fully extend the lens after opening the cover. You have to go through the open/close motion twice or more. With each attempt, the lens will move forward further until fully extended and ready to shoot. I think this is due to old capacitors as mine has fully improved after two rolls of film from regular use. But I would still avoid buying cameras that have this issue.

A harder-to-diagnose problem is a broken light meter unit. It rendered my Tiara II completely useless. This short post shows how you can diagnose it at home without using any tools. You may also want to ask your seller whether they tested the camera’s shutter speeds with the flash off , an issue with which is a red flag.

Fujifilm Cardia Tiara I vs. Tiara II vs. DL Super Mini I & II.

Since I’ve got to try both Tiara I and Tiara II, I can tell you first-hand that the differences aren’t many — but I would still prefer the II.

Small image with 1.558894 aspect ratio.

The II has a permanently attached wrist strap lug — and this camera needs a wrist strap (it’s very small and feels like it could slip out of the hand easily). I also appreciate the improved battery door design.

Aside from the above, design, features, and usability-wise Tiara I & II are identical; Tiara II has the raised “TIARA II” on its cover, whereas the other variants just say “FUJIFILM.” I used both cameras to illustrate this article — see if you can spot the differences.

How much does Cardia Tiara cost, and where to find one.

As of this writing, Fujifilm Cardia Tiara cameras sell between $250-400, depending on condition. Tiara II fetches a little more (about $50 in difference). A lot of these cameras are sold in Japan, but many are also available in North America.

❤ By the way: Please consider making your Fujifilm Cardia Tiara I or II camera purchase using this link   so that this website may get a small percentage of that sale — at no extra charge for you — thanks!

About this article :

It can take five hours of work (or more) to write and proof a quality five-minute read with high-res illustrations. Below are the people who made this one possible. All content is reviewed, styled and edited by Dmitri .

See also Fuji Kōgaku and Fuji Shashin Kōgyōsha , two older and unrelated companies.

Fujifilm Corporation is a Japanese company, which originally appeared as a film manufacturer and later expanded as a camera maker. Before 2006, the corporate name was Fuji Photo Film Co., Ltd. and many photographers continue to use the name "Fuji" informally.

  • 2.1 35mm SLR cameras
  • 2.2.1.1 No exposure meter
  • 2.2.1.2 Exposure meter but not auto-exposure
  • 2.2.1.3 Autoexposure
  • 2.2.2.1 No exposure meter
  • 2.2.2.2 Autoexposure
  • 2.2.3.1 Fixed focal length
  • 2.2.3.2 Dual focal length
  • 2.2.3.3 Zoom
  • 2.2.4 Half-frame and Rapid cassette 35mm cameras
  • 2.3 35mm panorama cameras
  • 2.4.1 MRC Mid-Roll-Change
  • 2.5 Pocket 110
  • 2.6 Subminiature
  • 2.7 Disc film
  • 2.8 Instant cameras and film
  • 2.9.1 Rangefinder
  • 2.9.2 System cameras
  • 2.9.3 645 cameras
  • 2.9.4 Panorama
  • 2.9.5 GF cameras
  • 2.10 Digital
  • 2.11 Disposable / Single Use
  • 3.1 Interchangeable lenses for 35mm cameras
  • 3.2 Interchangeable lenses for medium-format cameras
  • 3.3 Lenses for large-format cameras
  • 3.4 Enlarger Lenses
  • 5 Bibliography and references

The company was founded on January 20, 1934 as Fuji Shashin Film K.K. (富士写真フィルム㈱, later translated as Fuji Photo Film Co., Ltd. ) [1] , producing several sorts of film. [2] It was an offshoot of Dai-Nippon Celluloid K.K. (大日本セルロイド㈱), founded in 1919. [3] The company's first CEO was Asano Shūichi (浅野修一). [4] The plants were located in the village of Minami-Ashigara (南足柄村, now a city) in the prefecture of Kanagawa (神奈川県), at the foot of Mt. Hakone (箱根山). [5] It is said that the name "Fuji" (富士) was chosen by Asano Shūichi because of Mt. Fuji (富士山), situated not far from Mt. Hakone, but was already registered by a third party, to which the rights were bought for ¥8,000, an important sum at the time. [6]

The company started to produce optical glass during the early 1940s for military use. [7] The dependent company Fuji Shashin Kōki K.K. (富士写真光機㈱, meaning "Fuji Photo Optical Co., Ltd.") was founded in 1944, from the assets of Enomoto Kōgaku Seiki Seisakusho (榎本光学精機製作所), but this was absorbed back into Fuji Shashin Film after 1945. [8] Many other Fuji companies were created after the war, all of them dependent of the main Fuji Shashin Film company and eventually of the Fujifilm Group (富士フィルムグループ).

Fuji began producing cameras in 1948 with the Fujica Six . Until the late 1970s, many cameras made by Fuji were called Fujica, a contraction of Fuji and camera (cf Leica , Yashica etc.). In the mid 1980's the Fujica name change to simply Fuji , in the mid 1990's this changed yet again to Fujifilm .

The company started producing digital cameras in 1988. Fujifilm was the most agile among film makers in adapting to digital imaging. For a while it offered leading technology concerning smaller digital consumer cameras with high-sensitivity CCDs (see Super CCD ). It also sold expensive DSLRs and innovative camera concepts like the X100 with hybrid finder, a mixture of optical finder and EVF . Nowadays it is one of the big makers of sophisticated CSCs like the X-T3 with fast hi-res video capability. (see Fujifilm digital cameras ).

35mm SLR cameras

  • Fujica ST-F (1975)
  • Fujicarex (1962)
  • Fujicarex II (1963)
  • Fuji Half SLR design concept

The features of the ST/AZ models are described in the first part (PDF) of a Fuji instruction booklet on all its models , scan courtesy Mike Butkus

  • Fujica AZ-1 (1978)
  • Fujica ST601 (1975)
  • Fujica ST605 (1976)
  • Fujica ST605N (1978)
  • Fujica ST605 II (1978)
  • Fujica ST701 (1970)
  • Fujica ST705 (1976)
  • Fujica ST705W (1978)
  • Fujica ST801 (1972)
  • Fujica ST901 (1974)

Fujica X mount

  • Fuji AX Multi Program
  • Fujica AX-1 (1980)
  • Fujica AX-3 (1980)
  • Fujica AX-5 (1980)
  • Fujica MPF105X (1979)
  • Fujica MPF105XN (1983)
  • Fujica STX-1 (1979)
  • Fujica STX-1N (1983)
  • Fuji STX-2 (1985)

35mm compact cameras

Rangefinder, no exposure meter.

  • Fujica 35-M
  • Fujica 35-ML

Exposure meter but not auto-exposure

  • Fujica 35SE
  • Fujica 35ML F2.8

Autoexposure

  • Fujica 35-EE
  • Fujica 35 Auto M (1962)
  • Fujica Compact D (1969)
  • Fujica Compact S (1969)
  • Fujica Light Compact S (1970)
  • Fujica Compact Deluxe (1970)

Scale/zone-focus

  • Fujica 35 (folder) , prototype only
  • Fujica 35 Automagic
  • Fujica Compact 35 - 1967
  • New Fujica Compact 35 - 1969
  • Fujica Light Compact 35 - 1970
  • Fujica 35 FS - 1971
  • Fujica 35GP - 1972
  • Fujica GE - 1973
  • Fujica GA - 1975
  • Fujica Date
  • Flash Fujica - 1976
  • Fujica Flash (Date) - 1976
  • Fujica Flash II - 1978
  • Fujica Flash S - 1978
  • Fujica Auto-5 - 1980
  • Fujica Auto-7 - 1981
  • Fuji Auto-8 Date
  • Fuji Auto-70 DX - 1985
  • Fujica DL-20 - 1983
  • Fuji PicPAL 2 - 1985
  • Fuji Flash S2 - 1985
  • Fujica HD-1 - 1979
  • Fujica HD-S - 1979
  • Fuji HD-M (Tough Guy) - 1984
  • Fuji HD-P Panorama - 1990
  • Fuji K-35 - 1991
  • Fuji K-28 - 1991

Modern Point and Shoots

Fixed focal length

  • Fujifilm Clear Shot/Smart Shot series (Clear Shot M, Smart Shot Plus, V, 60AF etc.)

Dual focal length

Fuji branded zoom compacts

Fujfilm branded zoom compacts. Most American models tend to use the Discovery branding but later cameras share the European branding.

  • Fujifilm Zoom Date 90 / Discovery Zoom 90 Date / Super 90AZ (38-90) - 2000
  • Fujifilm Zoom Date 120 / Super 120AZ (38-120) - 2000
  • Fujifilm Zoom Date 145 / Discovery S1450 Date / Super 145AZ (38-145) - 2001
  • Fujifilm Super 1200AZ (38-120) - 2001
  • Fujifilm Zoom Date 60 / Zoom 60 (38-60) - 2001
  • Fujifilm Zoom Date 60 EZ (38-60) - 2002
  • Fujifilm Silvi 70 / Zoom Date 70 / Zoom Date 77 / Zoom 70 - 2001
  • Fujifilm Zoom Date 70 / DL-270 Zoom Super (35 to 70mm) - 2003
  • Fujifilm Zoom Date 140 (38-140) - 2001
  • Fujifilm Zoom Date 140 EZ (38-140) - 2002
  • Fujifilm Zoom Date 100 (38-100) - 2002
  • Fujifilm Zoom Date 115 / Zoom 115 (38-60) - 2002
  • Fujifilm Zoom Date S600 / Discovery S600 Zoom Date / Discovery S600 Zoom (38-60) - 2002
  • Fujifilm Discovery S700 Zoom Date / Discovery S700 Zoom / Discovery S770 Zoom (38-70) - 2003
  • Fujifilm Discovery S1450 Zoom (38-145) - 2002
  • Fujifilm Discovery S1200 Zoom Date / Zoom Date S1200 / Discovery S1200 Zoom (38-120) - 2002
  • Fujifilm Discovery S1050 Zoom Date / Discovery S1050 Zoom (38 to 105mm) - 2002
  • Fujifilm Zoom Date 1000 / Silvi 1000 (28-100) - 2001
  • Fujifilm Zoom Date 1000i (28-100) - 2003
  • Fujifilm Zoom Date 1300 / Silvi 1300 - 2002
  • Fujifilm Zoom Date 125S / Silvi 125 (38 to 125) - 2002
  • Fujifilm Zoom Date 125SR - 2002
  • Fujifilm Zoom Date 125 EZ - 2003
  • Fujifilm Zoom Date 90S / Fujifilm Zoom 90S / Silvi 90 (38-90) - 2002
  • Fujifilm Zoom Date 90SR (38-90) - 2002
  • Fujifilm Zoom Date 90 EZ (38-90) - 2003
  • Fujifilm Zoom Date F2.8 / Silvi F2.8 (24-50) - 2002
  • Fujifilm Silvi F2.8 Black
  • Fujifilm Zoom Date 110 EZ - 2002
  • Fujifilm Zoom Date 110SR - 2002
  • Fujifilm Zoom Date 160S - 2003
  • Fujifilm Zoom Date 160 EZ - 2002
  • Fujifilm Zoom Date 76S (38-76) - 2002
  • Fujifilm Zoom Date 115S - 2003
  • Fujifilm Zoom Date 115SR - 2002
  • Fujifilm Zoom Date 60W / Zoom 60W - 2003
  • Fujifilm Zoom Date 70V - 2005
  • Fujifilm Zoom Date 135V / Zoom 135V / Silvi F135 - 2004
  • Fujifilm Zoom Date 120V / Zoom 120V - 2004
  • Fujifilm Zoom Date 90V / Zoom 90V - 2005
  • Fujifilm Silvi 1600 ( 38 to 160mm) - 2001
  • Fujifilm Silvi F120 - 2004
  • Fujifilm Silvi Fi (28 to 100mm ) - 2003
  • Fujifilm Tiara Zoom ( DL Super Mini Zoom / Cardia Mini Tiara Zoom )
  • Fujifilm Natura Classica - 2004
  • Fujifilm Natura N
  • Fujifilm Natura NS - 2006
  • Fujifilm C-1 Zoom ( 28-56mm ) - 2004

Half-frame and Rapid cassette 35mm cameras

  • Fuji Dual (dual lens half frame)
  • Fuji TW-3 (dual lens half frame)
  • Fujica Half
  • Fujica Half 1.9
  • Fujica Drive
  • Fujica Mini
  • Fujica Rapid D1
  • Fujica Rapid S
  • Fujica Rapid SF
  • Fujica Rapid S2 (24×24 mm on Rapid film )

35mm panorama cameras

  • Fujifilm TX-1
  • Fujifilm TX-2

APS cameras

Fujifilm uses multiple brandings for their IX240 APS film cameras. Fotonex is the branding used most everywhere, while Endeavor is in the USA, while nexia and EPION are used in Japan.

  • Fujifilm EPION "Safety First" / RVX
  • Fujifilm Fotonex 10 (Endeavor 10 / EPION 10 / EPION Hello Kitty)
  • Fujifilm Fotonex 15
  • Fujifilm Fotonex 20 Auto / nexia 20 Auto / Endeavor 20 Auto
  • Fujifilm Fotonex 50 (Endeavor 50 / EPION 50AF / EPION AF My Melody)
  • Fujifilm Fotonex 55AF
  • Fujifilm Fotonex 60AF (Endeavor 60AF / nexia 60AF)
  • Fujifilm Fotonex 100ix (Endeavor 100ix / EPION 100)
  • Fujifilm Fotonex 101ix (Endeavor 101ix / EPION 101)
  • Fujifilm nexia 30
  • Fujifilm nexia 31 Auto
  • Fujifilm nexia 70 AF
  • Fujifilm nexia Q1
  • Fujifilm nexia Q1 Zoom
  • Fujifilm EPION 200Z
  • Fujifilm Fotonex 200ix Zoom
  • Fujifilm Endeavor 210ix (EPION 210Z)
  • Fujifilm nexia 220ixZ
  • Fujifilm nexia 230ixZ
  • Fujifilm EPION 250Z
  • Fujifilm EPION 255Z
  • Fujifilm Fotonex 265ix Zoom (Fujifilm nexia 265ix Zoom / EPION 265Z)
  • Fujifilm Fotonex 275ix Zoom
  • Fujifilm Fotonex 300 Zoom (Endeavor 300 Zoom / Epion 300Z)
  • Fujifilm EPION 305Z
  • Fujifilm nexia 320ix Zoom
  • Fujifilm nexia 330ix Zoom
  • Fujifilm Fotonex 4000ix SL (Endeavor 4000SL / EPION 4000) - SLR

MRC Mid-Roll-Change

  • Fujifilm Fotonex 1000ix MRC Tiara (Endeavor 1000ix MRC Tiara / EPION 1000 MRC Tiara Titanium)
  • Fujifilm Fotonex Tiara ix 1010 MRC (Endeavor Tiara ix 1010 MRC / EPION Tiara ix 1010 MRC)
  • Fujifilm nexia 250ixZ MRC
  • Fujifilm Endeavor 260ix Zoom MRC / EPION 260Z MRC
  • Fujifilm EPION 270Z MRC
  • Fujifilm nexia 270ix Zoom MRC
  • Fujifilm Endeavor 260ix Zoom MRC / EPION 310Z MRC
  • Fujifilm Fotonex 400ix Zoom MRC (Endeavor 400ix Zoom MRC / EPION 400Z MRC)
  • Fujifilm Fotonex 3000ix Zoom MRC / EPION 3000 MRC
  • Fujifilm nexia 3100ixZ MRC
  • Fujifilm Fotonex 3500ix Zoom (Endeavor 3500ix Zoom / EPION "Cardman" 3500 MRC)
  • Fujifilm nexia 4100ix Z MRC
  • Fujifilm nexia 2000ixZ MRC Tiara / Fujifilm nexia 2000ixZ
  • Pocket Fujica 200
  • Pocket Fujica 300
  • Pocket Fujica 400
  • Pocket Fujica 500
  • Pocket Fujica 600
  • Pocket Fujica 250
  • Pocket Fujica 250 Flash
  • Pocket Fujica 250 Tele Flash
  • Pocket Fujica 330 Zoom
  • Pocket Fujica 350 Wide
  • Pocket Fujica 350 Flash
  • Pocket Fujica 380 Flash
  • Pocket Fujica 450 Flash
  • Pocket Fujica 350 Zoom
  • Pocket Fujica 550 Auto
  • Pocket Fujica Flash AW
  • Pocket Fujica Auto Pop
  • Pocket Fujica Flash Zoom
  • Pocket Fujica Macro Zoom
  • Pocket Fujica Hello Kitty
  • Pocket Fujica Micky Mouse

Subminiature

These two cameras did not go past the mock-up stage:

  • Fujica 16mm SLR
  • Fujica 8×11mm SLR
  • Fuji Disc 50
  • Fuji Disc 70

Instant cameras and film

For all instant cameras and film by Fuji including Instax, ACE, Fotorama, pack film please refer to Fujifilm instant photography .

Medium format

49050389156_c62e926da0_m_d.jpg

  • Fujicaflex (TLR)
  • Fujica Six (6x6 folding)
  • Super Fujica Six

49058455917_f58c443550_m_d.jpg

Interchangeable lens

  • Fujica G690
  • Fujica G690BL
  • Fujica GL690 Professional
  • Fujica GM670 Professional
  • Fujica GW690 Professional
  • Fujica GSW690 Professional
  • Fuji GW690II Professional
  • Fuji GW670II Professional
  • Fuji GSW690II Professional
  • Fuji GW690III Professional
  • Fuji GW680III Professional
  • Fuji GW670III Professional
  • Fuji GSW690III Professional
  • Fuji GSW680III Professional

System cameras

  • Fujifilm GX645AF Professional - (2003)
  • Fuji GX680 Professional - (1989)
  • Fujifilm GX680II Professional - (1995)
  • Fujifilm GX680S Professional - (1995)
  • Fujifilm GX680III Professional - (1997)
  • Fujifilm GX680IIIS Professional - (1997)

645 cameras

Manual focus

  • Fujica GS645 Professional (rangefinder)
  • Fujica GS645W Wide Professional (viewfinder)
  • Fuji GS645S Wide60 Professional (rangefinder)
  • Fujifilm GA645
  • Fujifilm GA645i Professional
  • Fujifilm GA645W Professional
  • Fujifilm GA645Wi Professional
  • Fujifilm GA645Zi Professional (zoom lens)
  • Fujica Panorama G617 Professional - 1983
  • Fuji Panorama G617 Professional - 1985
  • Fuji Panorama GX617 Professional - 1993
  • Fujifilm GF670
  • Fujifilm GF670W

For all digital cameras by Fuji (including DS, Finepix, S-series and MX) and earlier still-video models, please refer to Fujifilm digital cameras .

Disposable / Single Use

  • Fujifilm QuickSnap
  • Fujifilm QuickSnap Colors APS camera
  • Fujifilm QuickSnap Fashion 400
  • Fujifilm QuickSnap Flash
  • Fujifilm QuickSnap Flash 1000
  • Fujifilm QuickSnap Flash 400
  • Fujifilm QuickSnap Golf - sequence camera, 800 ISO
  • Fujifilm QuickSnap Outdoor 1000
  • Fujifilm QuickSnap SmartFlash
  • Fujifilm Smart QuickSnap Super Slim Outdoor APS camera
  • Fujifilm QuickSnap Superia - 800 ISO
  • Fujifilm Quicksnap Tele 100mm 800ISO
  • Fujifilm QuickSnap Marine / Waterproof - waterproof, 800 ISO
  • Fujifilm Quicksnap Panorama

Interchangeable lenses for 35mm cameras

  • Fujinon M42 mount lenses
  • Fujica X mount lenses
  • Fuji lenses for Leica and Nikon
  • various other

Interchangeable lenses for medium-format cameras

Lenses for large-format cameras, enlarger lenses.

Fuji produced high quality lenses for enlargers, under the FUJINAR badge

Despite the increasing dominance of digital cameras, Fuji continues to be a prime manufacturer of film. Please refer to Fuji films

Bibliography and references

  • Ars Camera Advertisements by Fuji Shashin Film in January 1946 (p.34) and March 1946 (p.42).
  • Koyasu Yoshinobu (子安栄信). "Fuji Shashin Firumu ryakushi" (富士写真フィルム略史, Short history of Fuji Photo Film). In Kamera Rebyū: Kurashikku Kamera Senka (カメラレビュー クラシックカメラ専科) / Camera Review: All about Historical Cameras no.44 , December 1997. ISBN 4-257-13013-X. Tokushū: Fuji Shashin Firumu no kamera (特集:富士写真フィルムのカメラ, special issue on the cameras of Fuji Photo Film). Pp.11–7.
  • ↑ On the name tag of a Navy Type 99 Handheld Aerial Camera written as: 富士寫眞フィルム株式會社
  • ↑ Date and month: Fujifilm history, vol.1, chapter 4 .
  • ↑ Fujifilm history, vol.1, chapter 1 , and Koyasu, p.11 of Kurashikku Kamera Senka no.44.
  • ↑ Fujifilm history, vol.1, chapter 4 .
  • ↑ Koyasu, p.11 of Kurashikku Kamera Senka no.44.
  • ↑ Fujifilm history, vol.1, chapter 10 , and Koyasu, p.11 of Kurashikku Kamera Senka no.44.

In English:

  • Company history (archived) in the English language Fuji official website , and the Japanese version in the Japanese official website
  • Structure of Fujifilm's parent company , known as Fujifilm Holdings Corporation
  • History of Fujinon Corporation at Company Seven
  • Fuji 645 Rangefinder Model Guide www.antiquecameras.net
  • Instruction manuals for the Fujica SLR cameras and some medium format models, at butkus.org's OrphanCameras.com
  • Fuji camera's in Andrys Stienstra's camera collection
  • FUJINON Large Format Lens
  • Fujica/Fujifilm page at Collection G. Even's site
  • Cameras and User manual at www.collection-appareils.fr

In Japanese:

  • The history of Fujifilm , hosted by the company's official website
  • Flickr image
  • Japanese camera makers
  • Japanese lens makers
  • Japanese film makers
  • Sensor makers
  • Image by Paolo
  • Image by Alf Sigaro
  • Image by Jörg Krüger
  • Image by mgtelu
  • Image by Arty Smokes
  • Image by Andrew Wertheimer
  • Image by Steve Harwood
  • Image by Paulo Moreira

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FUJI CARDIA Travel mini WIDE-P

INCLUDED ITEMS:  

  • FUJI CARDIA Travel mini WIDE-P 35mm film camera
  • CR123A battery

CONDITION:   Pre-owned.  Film tested and fully working. Very good condition, with normal signs of light use . Nine photos from the test roll (taken with Kodak Pro Image 100) can be viewed in the images.

MORE ABOUT THIS CAMERA:   The CARDIA Travel mini WIDE-P is perhaps the rarest of Fuji's early 1990s Cardia Travel Mini range. The thing that separates the WIDE-P from the other cameras in the series is its single fixed focus lens with a 28mm focal length, whilst the other cameras carried bifocal lenses (offering both 28mm and 45mm options). We don't have a lot of information about this camera as it is fairly rare and there isn't much written about it, but when we come across a manual we will provide some more detail on this page. These cameras were renowned for the quality of their lenses and their ability to take stunning pictures. It is a very automatic camera with autofocus, auto exposure, auto advance, auto rewind, drop-in loading, prewind, and auto DX reading (most likely from 50 to 1600 ISO like the other models in the series). It also offers a 'Snap' shooting mode which is designed to allow the user to take a quick snap without having to worry about the focus. Prefocus is available too though if you wish to engage it via a half-press of the shutter button.

YEAR RELEASED:   ? LENS:   Fujinon lens (3 elements in 3 groups) FOCAL LENGTH:   28mm APERTURE:   f/3.5 SHUTTER SPEED:   ? AUTOFOCUS:   Yes FOCUS LOCK:   Yes INFINITY FOCUS MODE:   Yes MACRO MODE:   No CLOSEST FOCUS DISTANCE:   0.45m DX READING:   Yes LCD PANEL:   Yes FILM CHECK WINDOW:   No FLASH:   Yes RED EYE REDUCTION:   ? FLASH RELOAD TIME:   ? SELF-TIMER:   Yes FILM ADVANCE/REWIND:   Auto advance / auto rewind (and forced rewind button) TRIPOD SOCKET:   Yes POWER SOURCE:   1x CR123A battery

SHIPPING & RETURNS:    Free shipping (Express) on orders over $199. Twelve  month warranty on all cameras. Visit  Shipping & Returns  for more info.

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Thursday, november 30, 2023, fuji cardia af travel mini dual p 35mm film camera #225.

Fuji Cardia Travel Mini Dual P 35mm Film Camera #225 1

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How to navigate the Moscow Metro – a brief guide

fuji cardia travel

The Moscow Metro is considered one of the most beautiful in the world, and one of the largest, with 269 stations and counting! Still, no one is immune from standing flummoxed in the middle of the platform not knowing whether to go left or right, or which of six or more exits to take to escape the subterranean maze. Our guide sheds light on some of the finer points, and will definitely make your life in the subway easier.

Floor stickers

These began to appear back in 2014, and are now visible at all the main interchange stations. Huge stickers with arrows on the floor show where you need to go to change line.

fuji cardia travel

The lines are indicated by number and color, with the names written in Russian with English transliteration. For example, the number 7 in a purple circle means the Tagansko-Krasnopresnenskaya line; it is the purple line on the Metro map.

The Moscow Metro has over 20 different types of signs, which all complement each other. So if you look at one and are still confused, try looking at another.

Metro signs answer the key question: “Which way should I go?”, and usually show the end station of the line and/or the general direction (northbound, southbound, to the city center, etc.). Some overhead signs show only the line number and the end station; such a scheme is also used in the Paris Metro.

fuji cardia travel

There are also signs on the platform walls, which tend to be more detailed. They tell you which direction the train is headed and which stations it will stop at. The station you are currently at is marked with a rectangle in the color of the line, and all others are listed in order from top to bottom.

fuji cardia travel

All sign information is duplicated in English: names of Metro stations in lobbies, on platforms, and in rail cars are all shown in Latin script. Stations in rail cars are also announced in two languages, Russian and English. And ticket windows with English-speaking staff are marked with the sticker “We speak English!”.

How to find the right exit

Many stations have several exits. One of the busiest central stations, Kitai Gorod, has no fewer than 15! But numbers, stands, and wall guides will help you out of the labyrinth without needing a ball of string.

Locals often use subway exits as geographical markers. For example, they might say “Let’s meet by the exit at Solyanka.” But for tourists this might not be very helpful. That said, maps showing the local area and main sights are available at exits (not all), or on round colorful stands in station lobbies and on platforms:

fuji cardia travel

But since all exits are numbered, it’s best to be guided by the exit numbers.

There is often an overhead sign at exits listing the nearby sights, streets, shopping malls, and other reference points.

And on platform and lobby walls, you can see more stickers with bus, tram, and trolleybus numbers, showing the way to public transport stops.

fuji cardia travel

Meeting place

The traditional meeting place in the Moscow Metro is   v tsentre zala   ("the platform center"). But recently, special stickers with the words   Mesto vtrechi   ("Meeting place") have appeared, making it easier to find one other.

fuji cardia travel

Mobile apps

Some stations have a stand with a Metro map in the center of the platform and by the ticket windows in the lobby. But these days, the best way to navigate the branchy subway system is via a mobile app. Armed with one, you can work out the fastest route from A to B, calculate the journey time, see all available transfers and ground transport stops, and get notifications about temporary closures of stations and exits, etc.

MosMetro   is the official app of the Moscow Metro:

  • Download for   Android 
  • Download on the   App Store 

Yandex.Metro   is a similar app from Yandex

  • Download for   Android
  • Download on the   App Store

Some information boards provide a QR code – scan it to find out about the history of the station.

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  • Top 5 mistakes foreign tourists make in Moscow
  • The COMPLETE Moscow Metro FAQ guide

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IMAGES

  1. Fuji Cardia Travel Mini Dual-P AF Camera Review

    fuji cardia travel

  2. Fuji Cardia Travel Mini Dual-P AF Camera Review

    fuji cardia travel

  3. Fuji Cardia Travel Mini II Dual-P

    fuji cardia travel

  4. Fuji cardia travel mini op film camera. fuji film camera!

    fuji cardia travel

  5. Fuji Cardia Travel Mini Dual-P AF Camera Review

    fuji cardia travel

  6. FUJIFILM CARDIA Travel mini DUAL-P

    fuji cardia travel

VIDEO

  1. Mapag Panganten

  2. Fuji Cardia Media Elite Demo

  3. Surgery X-ray #1

  4. Fuji film Tele Cardia 160 Date

  5. CARDIA OIL

  6. Cardia Groundnut Oil

COMMENTS

  1. Fuji Cardia Travel Mini Dual-P AF Camera Review

    Basic Camera Features Generally, the Travel Mini is specified with: A wide-angle 28mm F3.5 (3 elements in 3 groups), normal 45mm F5.5 (5 elements in 5 groups) lens In an autofocus system with a focus lock, the minimum focus is 0.45m. A shutter speed range from 1/2 to 1/125 second.

  2. Fuji Cardia Travel Mini Dual-P, Light and Shade

    Launched in 1990, the Cardia Travel Mini Dual P is a dual-lens camera. It comes with a 28/45mm F3.5/6.6 Fujinon lens system. The 28mm wide-angle end will bring you right into places and city streets, among the crowd and tall buildings, and the crisscrosses of light and shadows.

  3. Fuji DL-500 Wide Date

    The Japanese edition was known as the Cardia Travel Mini Dual-P (with date and pan), while the American release is called Discovery mini Dual Date (no pan). Early models are distinguished by the auto-retracting lens barrier, whilst later copies starting in 1991 have an integrated UV filter as lens protection.

  4. Fuji DL-500 or Tiara's older brother

    Fuji DL-500 Wide Date, also known as Cardia Travel Mini Dual-P Let's start with the name, shall we? This Camerapedia page lists quite a long list of various eponyms for basically the same camera that might differ in some negligible way. The most obvious differentiation is probably the UV filter instead of the lens cover.

  5. Camera: fuji cardia travel mini DUAL-P · Lomography

    Discover incredible analogue photos shot with the fuji cardia travel mini DUAL-P . Head to our Online Shop to explore our full range of creative Lomography cameras . At Lomography, we absolutely love creative photography. Join our community, share your photos and read the latest photography tips and features.

  6. Fujifilm Cardia Tiara/DL Super Mini Camera Review

    Updated on July 19, 2023. Support Analog.Cafe's mission to provide free, high-quality educational content for the film photography community. Fujifilm Cardia Tiara I, II, and Fujifilm DL Super Mini are all but one point-and-shoot camera with a few minor differences.

  7. FUJI CARDIA Travel mini DUAL-P

    In summary the Cardia Travel Mini Dual-P is a small and versatile camera that takes stunning imagery which rivals many of the more expensive compacts on the market. YEAR RELEASED: 1990 LENS: Fujinon dual focal lens (wide-angle: 3 elements in 3 groups, normal-angle: 5 elements in 5 groups) FOCAL LENGTH: 28mm / 45mm APERTURE: f/3.5

  8. fuji cardia travel for sale

    27 results for fuji cardia travel Save this search Update your shipping location Auction Buy It Now Condition Item Location Sort: Best Match Shop on eBay Brand New $20.00 or Best Offer Sponsored New Listing ⏯ [Near MINT] FUJI CARDIA Travel Mini Dual-P Point & Shoot Camera From JAPAN Pre-Owned C $109.83 Top Rated Seller Buy It Now

  9. fuji cardia travel mini for sale

    NEAR MINT Fuji CARDIA Travel mini DUAL-P 35mm Film Point and Shoot Camera Japan. Opens in a new window or tab. Pre-Owned. C $162.58. or Best Offer +C $54.18 shipping. from Japan

  10. Fuji

    Cardia Travel Mini II: 1991 Cardia Travel Mini OP: 1992 DL-600: Cardia Mini Elite OP: 1993 FZ-6 Tele: Tele Bene: 1990 Zoom. Fuji branded zoom compacts Europe America Japan ... ( DL Super Mini Zoom / Cardia Mini Tiara Zoom ) Fujifilm Natura Classica - 2004; Fujifilm Natura N; Fujifilm Natura NS - 2006;

  11. [Near Mint] Fuji Cardia Travel mini Dual-P 35mm Film Point ...

    Fuji Cardia Travel mini Dual-P 35mm Film. There is no separation. [Near Mint]. There is no fog. There is no fungus. There is no scratches. Condition is a personal opinion. Beautiful condition.

  12. FUJI CARDIA Travel mini WIDE-P

    FUJI CARDIA Travel mini WIDE-P 35mm film camera Strap FUJI case CR123A battery CONDITION: Pre-owned. Film tested and fully working. Very good condition, with normal signs of light use. Nine photos from the test roll (taken with Kodak Pro Image 100) can be viewed in the images.

  13. Fujifilm Cardia Travel Mini Dual-P 20200911

    About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  14. Fuji Cardia Dual-P

    Fuji went name-crazy in 1990 with this dual-lens (28mm-45mm) point-and-shoot called the Cardia Dual-P Travel Mini or the DL-500 Wide Date in the US or the Discovery Mini-Dual Panorama Plus. Almost as bad as their Tiara IX-Z Nexia 2000 MRC. Show more 3 photos · 154 views By: J Jakobson

  15. Fuji cardia travel mini op film camera. fuji film camera!

    fuji cardia travel mini fuji 후지 富士

  16. Fuji Cardia AF Travel Mini Dual P 35mm Film Camera #225

    Fuji Cardia AF Travel Mini Dual P 35mm Film Camera #225 Fujinon 28/45mm F3.5/5.6 Lens - Fully functional (not film tested), near excellent external condition, body shows minor buffs and scuffs and signs of wear, viewfinder is lightly hazy, lens is clean and clear, smooth shutter response and auto film advance, clean and tidy film box, mode ...

  17. RARE Fuji CARDIA mini elite OP / Fuji Travel Mini / 28mm/F3.5

    RARE Fuji CARDIA mini elite OP / Fuji Travel Mini / 28mm/F3.5 + 45mm/F5.5 / lenses Black 35mm Point And Shoot Film Camera This particular camera is in an excellent condition and comes with the original suede carry case. Fuji CARDIA mini elite OP is a compact version of the CARDIA series and one of

  18. Fuji Cardia Travel

    Check out our fuji cardia travel selection for the very best in unique or custom, handmade pieces from our journals & notebooks shops.

  19. How to navigate the Moscow Metro

    Mobile apps. Some stations have a stand with a Metro map in the center of the platform and by the ticket windows in the lobby. But these days, the best way to navigate the branchy subway system is ...

  20. Moscow Metro / Olympus XA // Fujicolor c200 : r/analog

    503 votes, 19 comments. 2.1M subscribers in the analog community. Film photography subreddit. Ask anything about analog photography in our weekly…

  21. Machine-Building Plant (Elemash)

    In 1954, Elemash began to produce fuel assemblies, including for the first nuclear power plant in the world, located in Obninsk. In 1959, the facility produced the fuel for the Soviet Union's first icebreaker. Its fuel assembly production became serial in 1965 and automated in 1982. 1. Today, Elemash is one of the largest TVEL nuclear fuel ...

  22. Moscow metro bomb blasts kill 38

    At least 38 people have been killed and over 50 injured after two female suicide bombers detonated devices on the Moscow metro on Monday morning. The first blast claimed 25 lives at a station ...