orkesta mendoza tour 2023

ORKESTA MENDOZA

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Orkesta Mendoza

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Orkesta Mendoza’s adventurous second record  ¡Vamos A Guarachar! paints a vivid portrait of Latin American folklore. It takes listeners on a celebratory journey, one where mestizo-infused genres like boogaloo, cumbia, chicha, and mambo intersect. “It’s like a little road trip of Latin America,” Sergio Mendoza boasts. Mendoza is the founding member of the Tucson-based ensemble, who embrace their Latino roots while showcasing an impressive musical range. “It was really hard for everyone to tell where the album was going, because there are a lot of different styles,” explains the 35-year-old bandleader.

Mendoza grew up between the first and developing worlds. He was born in Nogales, Arizona and raised in Nogales, Sonora, Mexico—two hinterland towns separated by a 45-minute drive, and divided by the US-Mexico border. The borderlands are a particularly diasporic, transnational region known for their rich cultural hybrids, which emerge as a result of the Mexican and Latinx immigrants who settle there in the hopes of crossing over to el otro lado (as the locals call the United States). Music from North America, Mexico, Central and South America intertwine and influence one another there—a cultural and geographical phenomenon that impacted Mendoza’s artistic development.

As a child during the ’80s in Sonora, Mendoza was fascinated with the vigor and candor of regional Mexican music, as well as the festive, energetic punch of tropical music: “I loved Ramón Ayala, and Chico Che was my cumbia god!” he says. He also took a strong liking to British rock. “When I first learned how to turn on the record player at age four, I would put on the Beatles. The other record I loved was by Pérez Prado, a Cuban bandleader [of the ’40s and ’50s].”

When he was seven, Mendoza and his family moved to Nogales, Arizona. It was there that his sonic influences began shifting. “When I started making new American friends in school, they were into different musical styles, like The Police. That’s when I began to abandon all of my Mexican and Latinx stuff for a while,” he says. As a young boy who could only speak Spanish, but who longed to fit into a foreign, English-speaking land, the move made a kind of sense. “I went in that direction for about 10 years,” he recalls. Turning to the rebellious sounds of punk and rock, Mendoza had his first experience fronting a rock band as an eighth grader for a middle school talent show.

When he was 18, Mendoza moved to Tucson and reconnected with the music of his youth, like “ el canto nuevo , la trova and Silvio Rodriguez.” But the album that cemented his love affair was Pablo Milanés’ La vida no vale nada. “That record made me fall in love with [Latin music] all over again. The production has these really weird chords and instrumentation; the singing and songwriting is just really good—it’s pretty psychedelic,” he says.

Mendoza put his passion to good use, and began forming what would eventually become Orkesta Mendoza. Armed with a newfound love of orchestration, he signed up to put on a show, curated by the Artists and Musicians Healthcare Alliance, an annual NGO-funded series where local groups played a 20-minute cover set. “We covered songs by Buddy Holly, Steely Dan, Paul McCartney and his band Wings,” he says. “They all had to be done as a one-off, and that was the magic of it.”

After a short hiatus from the series, he returned ready to electrify audiences with renditions of songs by Pérez Prado, the king of the mambo. “For me, that was the hardest music to perform,” he says. “It sounds complicated, because there are a lot of instruments. But when you break down the sections of each instrument and the parts, it’s not that hard. By this point, my band had lots of horns, so we took on the challenge of Pérez Prado.”

As it happened, Joey Burns, frontman of Arizona’s desert rockers Calexico , was in the audience for Mendoza’s one-off Prado performance. He was flabbergasted. “Orkesta Mendoza is one of the best live bands out there,” Burns says. “Their music goes in myriad directions, rhythms and modes—big-band orchestrations mixed with lo-fi electronica, vocals en Español combined with moving instrumentals.”

“When our band finished playing, Joey and Peter [a local venue promoter] were telling me, ‘You’re going to do this again!’ So our Prado show turned into an opening slot for Calexico in Tucson!” Mendoza says. From there, Orkesta Mendoza toured big festivals, like San Francisco’s Outside Lands, and played shows in prestigious theatres, like L.A.’s The Wiltern. “We went all over the place. We were a brand new band,” he says. They also locked in their own weekly night at Rialto Theatre, opening for established Latin luminaries like Los Lobos and Ozomatli, which helped generate buzz.

In 2012, Orkesta Mendoza released their debut, the hard-hitting Mambo Mexicano! —a love letter to Pérez Prado full of sweeping violins and rattling horns, as well as party-starting cha-cha-chá, cumbia, and ranchera, all of them tinged with psychedelia. On Mambo , Mendoza displays a knack for crafting sounds that could accompany either a film noir from Mexico’s golden age of cinema, or a modern Latin dance party. Though the album received effusive praise from outlets like NPR, Mendoza took a four-year break from his indie mambo orchestra to play and write with Calexico, DeVotchKa , and Mexrrissey, Mexico’s all-star indie tribute to the Smiths’ singer.

On ¡Vamos a Guarachar! —a cheeky reference to tribal guarachero , an EDM hybrid from Mexico’s border city Monterrey that incorporates Latin American sounds—Mendoza returns with a vengeance. The opener “Cumbia Volcadora,” starring Camilo Lara from Mexican Institute of Sound, could easily ignite a riotous cumbia dance-off; and the ravishing “Misterio,” featuring the gorgeous baritone voice of veteran Salvador Durán, is a haunting huapango lullaby, dimly illuminated by dissonant piano and eerie slide guitar. Peruvian cumbia, also known as chicha, is spun through a kaleidoscope on “No Volveré,” and Tijuana indie rocker Ceci Bastida lends her beautiful vocals in the garage-surf “Caramelos.” The closing “Shadows of the Mind” tips its hat toward boogaloo, delivering a boisterous brass-blaring soul-rock banger à la Ray Barretto.

“Sergio Mendoza is probably my favorite musician of this time,” declares Lara. “He has the cumbia and mambo in his DNA, but he has the power to make it sound like today. His Orkesta is as punk as the Sex Pistols and as violent as Pérez Prado.” Burns agrees: “ ¡Vamos a Guarachar! is epic and soulful. It captures that positive spirit of the Southwest.”

It’s also not without political subtext. “Redoble,” a western song driven by galloping percussion, takes as its subject matter the great U.S./Mexico divide, lyrically shattering the deplorable link between immigration and criminality. “I came up with this song after someone asked me for my papers at a bar and started preaching about border security,” Mendoza reveals. “Nowadays, you have to be able to identify those who really love you, and those you are out to get you. Watch out for racism.”

He recalls Arizona’s 2010 draconian SB 1070 law, a dehumanizing, “anti-illegal” decree which essentially allowed racial profiling of anyone who looked “too brown,” and whose immigration status was therefore “suspicious.” The result was mass statewide incarceration. “At the time, Rage Against the Machine’s Zack de la Rocha began a high-profile strike to boycott Arizona. He enlisted over 50 musicians—Los Tigres Del Norte, Los Lobos, Mötley Crue, Lila Downs, Conor Oberst,” Mendoza remembers.

“When [global music icon] Manu Chao heard what was happening in Arizona, he came down and visited all the prisons. He sang across the street from Joe [“America’s Toughest Sheriff”] Arpaio’s office. Arpaio was like, ‘Hey, come talk to me,’ and Manu Chao was like, ‘No! I’m here for the people [the prisoners],’” Mendoza says. “So [Manu Chao] did this free protest concert in 2011, where 6,000 people showed up without promotion. He got it right: when something like this happens, you don’t boycott the place, you go and play there.” Orkesta Mendoza and Calexico started a ‘Viva Arizona’ music rally of their own, in the hopes of building solidarity with those in prison.

Today, discriminatory sentiments have coincided with Donald Trump’s rise to power. “He’s bringing out racism in a lot of people,” Mendoza says. “It’s like almost okay to be a racist because of Donald Trump.” The way forward, Mendoza says, is to, “see each other as people, and not judge based on color. That is why I feel like we need to sing and dance to the music that is in my blood—and to do it here in Arizona, where there is always political tension in regards to the border.”

¡Vamos a Guarachar! is a wildly charming, vibrantly-hued document that captures a specifically Mexican and Latin American kind of romanticism. It’s an album packed with punch, passion, and an awareness of its roots. “I love having that gene that brings out the rhythms and Mexican flavors in everything that I do,” Mendoza says. “I want to keep learning more about the music from Mexico and Latin American folklore. I want to continue discovering new things so I can keep adding it to what I do. Being able to mix, combine and reach listeners over here [in the U.S.] and hopefully into Mexico too—that’s the best part of sharing two worlds.”

— Isabela Raygoza

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Arizona's crazy orchestra - critics write about it. Its creator is Sergio Mendoza himself, one of Arizona's greatest music scene innovators, arranger, multi-instrumentalist, also responsible for the rise of such legends as Calexico or Mexrrisey. Its Orgesta Mendoza is a true musical mixer that mixes the styles and genres of metropolis and borderland: from cumbia, ranches, merenguja to country, psychedelic rock, dub, indie and electronics.

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“Great fun throughout … a musically defiant riposte to the virulent separatism of Donald Trump.” — The Independent

“ Sergio Mendoza is probably my favourite musician of this time. He has the cumbia and mambo in his DNA, but  he has the power to make it sound like today. His Orkesta is as punk as the Sex Pistols and as violent as Perez Prado” —  Camilo Lara, Mexican Institute of Sound

“Orkesta Mendoza is one of the best live bands out there. Their music delves into a myriad of directions, rhythms and moods, big band orchestrations mixed with lo fi electronica, vocals en Español together with moving instrumentals.”Vamos a Guarachar” is epic and soulful, it captures that positive spirit of the Southwest” —  Joey Burns, Calexico

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SOLD OUT! KXCI 40th Anniversary Celebration with Orkesta Mendoza, Gaby Moreno, Mariachi Aztlán de Pueblo High School

November 29, 2023.

KXCI Presents! A 40th Anniversary Celebration With Orkesta Mendoza featuring Gaby Moreno and a special performance by Mariachi Aztlán de Pueblo High School.

El Casino Ballroom at 7:00 pm on Friday, December 8th 437 E 26th St, Tucson, AZ 85713

Doors at 6:00 pm, music at 7:00 pm

PURCHASE KXCI: 40TH ANNIVERSARY CONCERT WITH ORKESTA MENDOZA, GABI MORENO, AND MARIACHI AZTLÁN TICKETS HERE

Tickets: $40 advance for KXCI Members, $45 advance general; $50 door. 

On Friday, December 8th, KXCI will celebrate its 40th Anniversary at the historic El Casino Ballroom with  Orkesta Mendoza featuring Gaby Moreno.  Orkesta Mendoza is a Latin big band from Tucson, Arizona founded by singer and guitarist Sergio Mendoza in 2009. Using Latin percussion, accordion, brass, and steel guitars, the band’s style, dubbed “indie mambo”, combines ranchera, cumbia, psychedelic and indie rock.

Gaby Moreno is a Latin GRAMMY-winning Guatemalan-born singer-songwriter, producer, film composer, and guitarist. Moreno performs many genres including Latin, alternative, blues, folk, and Americana in both Spanish and English.

Gaby Moreno performed in our Congress Street Studio backed by Brian Lopez and Sergio Mendoza in March 2023 ahead of her performance opening for Los Lobos. This  video  captures her songwriting, passion, and playfulness.

Nogales-born band leader Sergio Mendoza has long wanted to create a special evening for KXCI and celebrating KXCI’s 40th Anniversary was the perfect reason to invite his compañera Gaby Moreno.

Doors open at 6:00 pm, and music starts at 7:00 pm. Advance general admission tickets are  $40 for KXCI Members and $45 in advance for the general public. Tickets can be purchased at all Bookmans locations, online at KXCI.org, and at the door. All tickets will be $50 at the door. Food will be available for purchase.

All proceeds support KXCI’s mission to connect the communities of Tucson and Southern Arizona to each other and to the world with informative, engaging, and creative community-based programming. KXCI Executive Director Elva De La Torre will emcee the show.

KXCI Executive Director Elva De La Torre welcomes all to attend, “Since its inception, KXCI has been bringing great concerts to El Casino Ballroom. We’re thrilled to continue that community collaboration and celebrate our 40th Anniversary at El Casino Ballroom partying to the sounds of Orkesta Mendoza and Gaby Moreno. You are in for an incredible night of great music, food, and community. See you there!

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Orkesta Mendoza: Curandero — rock meets ranchero

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David Honigmann

Roula Khalaf, Editor of the FT, selects her favourite stories in this weekly newsletter.

Ten years ago, Sergio Mendoza y La Orkesta were a mambo cover band, conceived as a tribute to Perez “Prez” Prado, Mendoza’s favourite childhood listening. He was born in Nogales, Arizona, but grew up in its sister city Nogales, Mexico for several years before returning to the States. His band, soon streamlined to Orkesta Mendoza, similarly slip with confidence between both sides of the border: rock music from the north; mambo, salsa and ranchero from the south. On Curandero , which rattles through its 14 tracks in less than 40 minutes, the lyrics code-switch with equal fluency between Spanish and English. “Casi todo en esta vida es artificial”, croons Quetzal Guerrero — the Latin soul singer is for this album essentially a seventh band member — on “Eres Oficial” comes the chanted response: “Artificial, superficial she’s official baby”. Calls and responses echo across the border. “La verdadera de mi amor es la oficial”.

This brief bagatelle about a capital-I Influencer now feels hopelessly of a time at a point before last month. But the album as a whole steers deftly between this throwaway lightness and occasional po-facedness. The band are joined by the Spanish singer Amparo Sánchez (for whom Mendoza wrote the delightful “Cumbia de Donde”) for “Boogaloo Arizona”, a joyous boogaloo with vibrating keyboard stabs and a brass fanfare that echoes the theme from Hawaii-Five-O. “We walk our lands without thinking about borders”, she sings in Spanish. “Nothing political matters/We don’t want those walls”.

Life without walls is a constant theme. Amid the shining guitar cascades of “Early In The Morning”, cross-cut with Spanish rap, comes a memory sneaking out of grandmother’s house to dance. But now “outside the cats are meowing/Inside I can’t get up”. The keyboards blurt like tubas. “I feel the tension’s growing . . . ”

To fast, thin guitar and a slinky keyboard rhythm, the travelling traditional healer of the title peddles “forgotten medicine/that takes your ancestral breath away”. The music flickers and sways, its folk melody struggling to burst out. By the end, with Andrews-Sisters harmonies, handclaps from Gaby Moreno, Carrie Rodriguez and Moira Smiley, and honking Tequila-style saxophone, the band are partying with “Hoodoo Voodoo Queen”.

‘ Curandero ’ is released by Glitterbeat

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O.Z.O.R.A. 2023

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The O.Z.O.R.A. Festival is a one-week psychedelic music and all-around art event, which has been held annually since 2004, in the first week of August, in Dádpuszta, Fejér County, in the municipality of Igar, not far from Ozora, Tolna County.

OZORA STAGE:

ZYCE VS FLEGMA ° ZZBING ° TOTAL ECLIPSE ° INFECTED MUSHROOM JUNO REACTOR ° ETNICA ° EAT STATIC ° XENOMORPH ° SPACE CAT OFORIA ° GOA JONAS ° VLASTUR BAND ° SUPERLUMINAL GALACTIC EXPLORERS ° HUMANOIDS ° FLORESCENCE ° ALIENATIC DIGITAL HIPPIE ° SHENANIGAN ° FAREBI JALEBI ° PETRAN ° GAPPEQ IKØN ° ERITAS ° E-CLIP ° DJ NUKY ° ALTA ° DEKEL UNCHARTED TERRITORY ° EARTHSPACE ° YUDHISTHIRA ° SENSIENT HYPOGEO ° EVIL OIL MAN ° KRUMELUR ° AIRI ° SHRED’ER PURPLE SHAPES ° OXYFLUX ° KOXBOX ° UNDERCOVER BABAS DICKSTER ° REGAN ° TRISTAN ° ASTRIX ° RITMO ° ACE VENTURA CAPTAIN HOOK ° ALIEN ART ° DARWISH ° TSUBI ° EARTHLING JUSTIN CHAOS ° AARDVARKK ° DJ OLEG ° GIUSEPPE PARVATI ° KALA LOOM ° AURAFOOD ° POLLUX ° FANTAZMA ° MECHANICAL SPECIES EMIEL & DAKSINAMURTI ° SPINAL FUSION ° BOOGIE KNIGHT IRGUM BURGUM ° ALPHA ° UNEXPECTED ° GIZMO MORE TO BE ANNOUNCED SOON…

ALAMOA ° AZU TIWALINE ° BLUETECH ° DEEPCHORD DESERT DWELLERS DIGITAL MYSTERY TOUR MEETS TOTAL ECLIPSE TAMBURI NERI ° SYMBOLICO ° DEADBEAT ° PETER POWER HENRII HAVAAS ° MAIIA ° GROUCH IN DUB ° SHANKARA NZ MISLED CONVOY ° NAAN ° COAM ° DJ MAGGIE ° MIKE STELLAR NAGA & PETER BERNATH ° RAMBADU ° THE FLYING MARS BLEZ & PETER SCHMID ° HEDFLUX ° BAYAWAKA ° CRIMSON & KISS ASURA ° UKNOWN REALITY ° AIRI AKA FELIX ANDO GIUSEPPE IN DUB ° GUMI ° ZVEZDA BETA ° LUIGI TOZZI & FERAL MENTAL ° NTOGN ° ALIJI ° TSU ° MANYNAMES ° ETNICA IN DUB KUKAN DUB LAGAN ° KALUMET MORE TO BE ANNOUNCED SOON…

DRAGON NEST:

MULATU ASTATKE ° MEZERG AFRICAN HEAD CHARGE FEAT. GAUDI + ADRIAN SHERWOOD YĪN YĪN ° LIRAZ ° ORKESTA MENDOZA ° TETRA HYDRO K LIA DE ITAMARACÁ ° PITCH BLACK ° VLASTUR DUB BAND REINHARDT BUHR ° LOS WEMBLER’S DE IQUITOS ° BLOCKHEAD STATIC IN DUB ° RIMOJEKI ° PULSHAR ° TEBRA ° ABOP KAOPHONIC TRIBU ° MINAMI DEUTSCH ° WATT THE FOX ° MONTOYA ANIMA SOUND SYSTEM /LIVE ACT/ ZEITGEIST FREEDOM ENERGY EXCHANGE TAKESHI’S CASHEW ° ALUMINÉ GUERRERO ° TAKKRA ° BODOO PERIJA ° SUNMA ° HRTL ° ENKI ° INTINAHUAL ° ZAKHOROV ° OMNION

KATAMII ° IKOZA ° BILLUMINATI ° DJ ROOCHA ° MANKIND SUBOTAGE ° INFRAGANDHI ° PARADIDDLE ° KROKO ° SWAIN SIBLICITY ° GREMA ° SZAMY ° GERŐ ° TOM_ATO ° CORD ° ALPHAKEY DJ DANGER ° INTACTO ° SELDON ° ALGIA ° BELLEGANCE & FRASER NITIN ° HENZI ° SUNDI & TATOO ° MILES FROM MARS ° LUIS M ° TIGA KASEY TAYLOR ° BLAZEJ MALINOWSKI ° FLEMBAZ HERRMANN STOEHR ° VERTEX ° NORA MATISSE FEAT. VÁZSONYI POLYGONIA ° JOHN MONKMANN ° GOLANSKI ° TITUSZ ° ACID WAVE NOVA GRAVITY ° BEYOND ° ACIDEAL ° GAHABBI ° TECHMESI ° LENSKY ° ATOMIK ° ADX ° DJOANNA ° KELE ° BERNATHY HELLER & SPYRAL ° L-XIR ° FAKTOR X ° PIZZA AMORE ° DIGITAL RISE SWITCH NOLLIE ° CHEEKY ° ELTAWAVE ° ADAMSON ° DJ BOTOND MORE TO BE ANNOUNCED SOON…

BLUETECH ° ARK WELDERS GUILD ° ARUSHI JAIN ° LIQUID BLOOM AVSLUTA ° BANCO DE GAIA ° PETER POWER ° AYO ° BRAIMA GALISSÁ DEVA AMBIENT LIVE ° DJ MAGGIE ° STAS ° ALMA ∞ OMEGA ZSÁGER BALÁZS ° CHLOROPHIL ° SWANASA ° CORD YARKU & ALIA FAY ° OUOA ° EMCSI ° JASPER EDWARDS SENA DAGADUB ° EARTHJAM IN DUB ° ARMENIAN PHOTOSYNTHESIS ° COAM ° NOVAN + MNEMONICKISS ° DUEL LADDERS ° SAVABORSA ° NAUTIS & DÁVID MARUSCSÁK STHLM BLUSH ° KNOWER MORE TO BE ANNOUNCED SOON…BLUETECH ° ARK WELDERS GUILD ° ARUSHI JAIN ° LIQUID BLOOM AVSLUTA ° BANCO DE GAIA ° PETER POWER ° AYO ° BRAIMA GALISSÁ DEVA AMBIENT LIVE ° DJ MAGGIE ° STAS ° ALMA ∞ OMEGA ZSÁGER BALÁZS ° CHLOROPHIL ° SWANASA ° CORD YARKU & ALIA FAY ° OUOA ° EMCSI ° JASPER EDWARDS SENA DAGADUB ° EARTHJAM IN DUB ° ARMENIAN PHOTOSYNTHESIS ° COAM ° NOVAN + MNEMONICKISS ° DUEL LADDERS ° SAVABORSA ° NAUTIS & DÁVID MARUSCSÁK STHLM BLUSH ° KNOWER MORE TO BE ANNOUNCED SOON…

COOKING GROOVE:

LA FORASTERÍA ° AMANANTU ° NINTÜ ° ANDI ANDEAN URBAN VINYL ° OPALE ° ORGANICA ELEMENTAL ° SEBUKY ° WĀKHAN ° DERROK ° ISMĒTRA ° OLKAN & LA VIPÈRE ROUGE SITO RENO ° ADAM ANDALUZ ° NAMIRÍ ° REGNDANS ° LOAI SHAKER MORE TO BE ANNOUNCED SOON…

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At 15 years old, Miles Russell is set to make his PGA Tour debut at Rocket Mortgage Classic

A 15-year-old will be making his PGA Tour debut this month.

Miles Russell will compete in his first tour event when he joins the playing field at the Rocket Mortgage Classic on June 27-30 at Detroit Golf Club, the tournament announced Monday .

already among the most decorated junior golfers in the country, the teen from Jacksonville, Florida received a sponsor exemption to play in the tournament. Even though he is a freshman in high school, he became the youngest player to make the cut in the Korn Ferry Tour, when he finished 20th in the LECOM Suncoast Classic in April.

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In 2023, he as named the American Junior Golf Association Player of the Year, becoming the youngest player to win the award after Tiger Woods held the record.

Last year, he also won the Junior PGA Championship and the Junior Players Championship, and he earned a spot on the U.S. Junior Ryder Cup team.

"I am thankful to Rocket Mortgage for giving me the opportunity to make my PGA TOUR debut at the Rocket Mortgage Classic," Russell said in a statement. "Ever since I first started playing golf, my dream has been to compete on the PGA TOUR and test my game against the best players, and I’m looking forward to making the most of the experience later this month."

Even though he'll be in the tournament, he'll need a ride to get there. Russell's father is scheduled to drive his son in the courtesy car to the club during the tournament, Rocket Mortgage Classic director Jason Langwell said.

Youngest golfers in PGA Tour history

It may sound ridiculous for a 15-year-old to be playing among the best golfers in the world, but it isn't uncommon.

Russell will actually be the third teenager to debut on the PGA Tour this year, along with Kris Kim and Blades Brown, who are both 16. Kim also became the fifth-youngest player to make the cut in a PGA Tour event at THE CJ Cup Byron Nelson in May, and a week later, Brown finished tied-26th in the Myrtle Beach Classic.

The youngest player to ever play in the PGA Tour is Michelle Wie West, who played in the 2004 Sony Open at the age of 14 years, three months and four days, while she was also the fourth woman to play a PGA Tour event. Other 14-year-olds to play on the tour include Lorens Chan in 2009, Andy Zhang in 2012 and Guan Tianlang in 2013.

Russell will be the fifth 15-year-old to play in the PGA Tour, along with Bob Pasanik in 1957, Tadd Fujikawa in 2006, John Oda in 2012 and Oliver Betschart in 2023.

  Contributing: Tony Garcia, Detroit Free Press

This article originally appeared on USA TODAY: At 15 years old, Miles Russell is set to make his PGA Tour debut at Rocket Mortgage Classic