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The journey by joseph m. martin - digital sheet music, price: € 2,78 / print.

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The Journey digital sheet music. Contains printable sheet music.

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The Journey with “Simple Gifts” and “Going Home” Choral Octavo

Series: Choral
Publisher: Shawnee Press
Format: MP3 Full Performance
Composers: Anton Dvorák , Traditional Shaker Melody
Arranger: Joseph M. Martin
Uses: General, Graduation
Scripture: Hebrews 11:10; Isaiah 11:2-3; Romans 12:3

Uses: Graduation, General Scripture: Isaiah 11:2-3; Romans 12:3; Hebrews 11:10 Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size. A lyrical violin part adds to the bittersweet qualities of this simple yet profound classic. NOTE: Full Performance and Part Dominant MP3's are for the SATB voicing only.

Product Details

Inventory: #HL 00365533
Run Time: 0:03:30

Prices and availability subject to change without notice.

Format: MP3 Accompaniment Only
Inventory: #HL 00365534
Format: MP3 Soprano Dominant
Inventory: #HL 00365535
Format: MP3 Alto Dominant
Inventory: #HL 00365536
Format: MP3 Tenor Dominant
Inventory: #HL 00365537
Format: MP3 Bass Dominant
Inventory: #HL 00365538

Series: Shawnee Sacred

Format: Octavo
2-Part Mixed

This product has a minimum order quantity of five copies.

Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size. NOTE: Full Performance and Part Dominant MP3's are for the SATB voicing only.

Inventory: #HL 35011673
UPC: 747510015895
Publisher Code: E0361
Width: 6.75"
Length: 10.5"
Page Count: 8 Pages
2-Part Treble
Inventory: #HL 35011674
UPC: 747510067528
Publisher Code: E0548
SATB W/ VIOLIN

Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size. A lyrical violin part adds to the bittersweet qualities of this simple yet profound classic. NOTE: Full Performance and Part Dominant MP3's are for the SATB voicing only.

Inventory: #HL 35030907
UPC: 888680609993
Page Count: 12 Pages

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The Journey

with “Simple Gifts” and “Going Home”

Singing the Journey Song Information

Song information.

The information about the sources and the particular context of each song is a work in progress. These summaries, variously based on the observations of composers, writers, and/or authoritative interpreters of each song, are provided to assist in the presentation, teaching, and performance of this music. We welcome additional or corrective information to this resource, which may be sent to worshipweb@ uua.org .

A song written by Pablo Fernández Badillo, a Presbyterian missionary from Puerto Rico who writes in traditional and contemporary hymn styles, often including the elements of folk or popular music. Like Haydn's great oratorio The Creation, Alabanza celebrates the glory of the Creator in the magnificent flowering of the natural world. This nature is filled with the particular accents of Badillo's homeland, the duende (a smallish, purple flower) and the coquí (a small frog-like animal that makes singing sounds). Alabanza is one of 104 hymns Badillo published in 1977 in Himnario Criollo .

All Around the Child

A song for the Christmas/Solstice holiday season that might be used anytime of celebrating a birth. This piano accompaniment is an SATB four-part harmonization. A more diverse SATB choral arrangement is available from Jim Scott Music .

As We Sing of Hope and Joy

This song is also available as a choral version from Seafarer Press .

Be Ours a Religion

This song exists in several different versions, as a brief response (as it appears in the supplement) for congregation and piano; as a response for choir SATB and piano, and as an anthem for SATB choir and piano (published by Yelton-Rhodes Music). The text is by the famous 19th century Unitarian minister, Theodore Parker, and a slightly fuller version of the text is given in Singing the Living Tradition as Responsive Reading #683.

Be Thou With Us

This song is also available in an SATB version as part of a collection of 62 Responses, Benedictions, Introits and Chalice Lighting Songs. Contact the composer at tben2 @ comcast.net or 4093 Fragile Sail Way, Ellicott City, MD 21042.

Blue Boat Home

This song was born from the composer's explorations on the guitar with Hyfrodol, one of his favorite melodies that he grew up singing in church. Being primarily a contemporary folk artist, he took some rhythmic liberties with the melody, and then added his own text that refers to our life on this earth as a grand seafaring journey. From his original recording, Jason Shelton created the score, and this wonderful piano arrangement. A copy of Peter Mayer's original version of Blue Boat Home can be purchased from Peppermint or by calling (800) 633-7020. It is available in sheet music, and on the CD entitled Earth Town Square .

This song is adapted from the poem (same title) by Senagalese poet, Birago Diop. The composer writes, “Hearing this poem, for the first time at a funeral, transformed my grief and affirmed my world view which includes and reveres my ancestors. When I heard the poem a second time years later, it began to sing itself to me, and I am glad that I have been able to share what I heard with you. As often as we call the names of those who have gone on, we enliven them; but we must then learn how to experience them anew. This poem provides entre into the new experience.”

Building a New Way

A bluesy and energetic song. One might consider teaching this song by rote since the verses are somewhat repetitive.

Building Bridges

A song discovered by a British Quaker named Elizabeth Cave. She heard the song at Greenham Common, which was a peaceful sit-in at a nuclear energy plant in England. Elizabeth Cave sent the song to the Britain Yearly Meeting children's meeting newsletter where it was published. Someone else saw it there and submitted it to Sing Out Magazine , who published it in their RISE UP SINGING collection. Nick Page’s arrangement of this round, which was premiered at General Assembly 2002, is published by Hal Leonard’s Publishing.

Busca El Amor

This song sums up the composer’s simple personal theology. Salvador Cardenal Barquero is a fifth generation Nicaraguan. He studied to be a Catholic priest as a teenager. He, as many of his generation, answered the call for regime change by forming Duo Guardabarranco with his sister Katia. His original songs explore the need for love. He is a devotee of evolving spiritual thought. He has set music to words of St Francis of Assisi, Rabindranath Tagore, and the Sanscrit Vedas (Srimad Bhaghavatam). His plaintive song Cualquier Hombre (Anyone) has poor people calling to God in all different names and "not asking for leftovers."

Calypso Alleluia

This can be sung as a round, or "layered," (with each line sung repeatedly by a specified group from the congregation and/or choir). The percussion parts are optional, but would be effective to include; other percussion parts can also be improvised. This is also available as part of a collection of 62 Responses, Benedictions, Introits, and Chalice Lighting Songs. Contact the composer at tben2 @ comcast.net or write 4093 Fragile Sail Way, Ellicott City, MD 21042.

A song written in 1995. The composer writes, “It was written on a day when I wasn’t doing my life very well or very gracefully. My partner and I were being quite snarley with each other; I didn’t want to be around people and was generally feeling intolerant. I was in no mood to be nice, loving, or anything of the sort. We were visiting friends who lived on a mountaintop in Northern California. The house had no power or running water, but, luckily for me, I did have a baby grand piano in fairly good tune. (It was glossy white, no less. I kept expecting Liberace to walk in). Music has always had the ability to take me out of myself (or more into myself as the case may be). It was in this spirit that I went to the piano that day. I sat there for a while and just let my fingers wander around the keys. After a while, a chord progression presented itself. As I began to feel better, I decided to ask for guidance in how to get out of the terrible mood I had succumbed to. And then came the words. They were a combination of a prayer and a plea. As I began to believe the words that I was singing, I was able to lighten up and find compassion for myself, then my partner, then the others we were with. I continued to sing the song to myself until I felt ready to carry that gentle, compassionate energy with me.”

Comfort Me has been sung in a number of settings from concerts, to worship services, to community gatherings, to healing circles. It is a song that seems to work most effectively when sung by a group. It lends itself easily to people making up and adding harmonies, and this is encouraged by the composer. It is the composer’s hope that those who sing or hear this song find that it brings them deeper into themselves and their communities.

Cuando el Pobre

This is a Roman Catholic hymn, inspired by the mid-20th century Liberation theology that sustained both people and clergy in Latin America but alarmed popes and religious conservatives in Rome. This hymn comes from a culture that has blended Christian liturgy with indigenous spirituality. In the Andean region of South America, the supreme creator is Viracocha. The legend of the Indians is that Viracocha disguised himself as a beggar and wandered the earth, weeping at the plight of his creatures. It is believed that he would return in time of trouble as stated in the song, "We see God, here by our side, walking our way."

The English translation is by the Rev. Martin A. Seltz, a Lutheran (ELCA-the U.S. non-fundamentalist Lutheran body) minister/musician in Minneapolis, MN, who made the translation for Renewing Worship Songbook , the 2003 hymn/worship supplement published by Augsburg Fortress, the publishing house of the ELCA. Seltz is also one the editors at Augsburg Fortress.

Daoona Nayeesh

This song is the inspiration of a Muslim residing in the United States, Samir Badri. Samir recruited the composer, a Jew, to set his words to a tune, after they both were featured at a Peace rally in Arizona before the U.S. bombing of Afghanistan and then Iraq. This song has been well embraced by those who have heard it around the country. It is structured musically to allow for people who have never sung in Arabic to do so, in echo fashion. It was first sung with a rippling banjo accompaniment, then a cappella, then with percussion, and then with a band made up of musicians from Morocco and Saudi Arabia who formed to play for the Tucson Jewish Muslim Peace Walk of 2004.

This song can been shared in different ways: Energetically, meditatively, with audience singing along (as echoes after each phrase), and/or with instrumental breaks allowing for English translation during the piece. It has been sung in 3/4, 12/8, and 4/4 time. Sometimes the composer adds the one word 'tag' "aHlaam" (dreams) only at the end and sometimes the song fades out with it. At other times he uses it as a bridge to return to the verse. When unaccompanied or with only percussion “aHlaam” can become a descant under the melody. It was put there to assure people could sing at least one word in Arabic. A pause can be added before the last line, "let us die in peace.” After the U.S. invaded Iraq, the author suggested that the opening line could be chanted. It says, "Let us live as we live." In other words, don't try and change us.

Pronunciation Guide:

The "classical" Arabic makes the "a" sound as in "lamb" not as in "bomb."
The "h" sound that occurs in this song (in the word "aHlam") is not the soft English "h," nor the harsh Hebrew "h.” It's expelled from the back of the throat.
The word "nanseej" has two syllables: They can be "a" as in "can" or "e" as in "ken". The "ee" can be as in "seen" or "sin." The consonant is not as in "bridge," but as in "leisure."
In "namoot," the "oo" is as in "root" or "fruit."

One of four songs in Singing the Journey from the Taizé tradition. Originally Taizé was a monastic community of twenty brothers, but it became a spiritual center for increasing numbers of young people who used his chants in meditative singing. The simplicity of the songs/chants and the many repetitions become a means of listening to God. It is considered better for prayer if no one directs, but it may be necessary to have a small group of singers or instrumentalists support the singing. Both keyboard and classical guitar are recommended for accompaniments. For information about this tradition, see The Taizé Community . For inforamtion about the composer, Jacques Berthier, see Vieni Spirito Creatore .

Each Night A Child Is Born

This song was written while the composer was sitting in the First Unitarian Universalist (UU) Nashville church sanctuary on Christmas Eve, 1998, which was his first Christmas working at the church. He had been shoveling snow that afternoon, which is a pretty uncommon activity in Nashville on Christmas Eve. Anyway, he took a break from shoveling and sat at the sanctuary piano. He then opened his hymnal and found Fahs' words. There was something so peaceful, so magical about that moment that this piece literally wrote itself in just a few minutes time. His choir sang it for the first time that night, and they have sung it every year since. A recording of this piece can be found on Jason Shelton's CD, The Fire of Commitment .

Earth Is Our Mother

This song is reprinted from Songs for Earthlings which is printed by Emerald Earth Publishing. Additional information can be found at Emerald Earth .

These are the words to a poem called “Walk to Caesarea” written by Hannah Senesh in Caesarea in 1943. It was later turned into this song.

Evening Breeze

This song has been reprinted from Circle of Song which is printed by Full Circle Press. Additional information can be found at Circle of Song

Everything Possible

An affirming lullaby and has been sung around the world as an anthem of universal love and acceptance. Fred Small wrote the song in 1983 at the request of Janet Peterson, cellist and singer with the women's music group Motherlode, who wanted a song she could sing to her nine-year-old son about the freedom to live and love as we choose. Willi Zwozdesky’s arrangement of Everything Possible was originally created for the Vancouver Men’s Chorus; it is based on the performances of English folk singer, Roy Bailey.

Filled with Loving Kindness

This song was composed for the installation of Rev. Mark W. Hayes at the Unitarian Universalist (UU) Fellowship of Centre County, State College, Pennsylvania, in April, 2001. For a choral SATB arrangement, please contact Ian Riddell ( iwriddell @ gmail.com ).

Fire of Commitment, The

Written to mark the closing celebration of First Unitarian Universalist (UU) Nashville's 50th anniversary in 2002. Its driving rhythm and celebratory tone have made it a popular selection for ordinations and stewardship campaigns in recent years. Don't let the 5/4 time signature fool you—just count steady eighth notes and the implied 6/8 + 2/4 beat will come through quite naturally. It is highly recommended to use some form of percussion when singing this song. A djembe and shaker will do just fine, or add a full rhythm section if possible. A recording of this piece is available on Jason Shelton's CD, The Fire of Commitment .

Go Lifted Up

Written by Mortimer Barron, and he writes, “When I was music director at Murray Unitarian Universalist Church, Attleboro, MA, Natalie Sleeth's Go Now in Peace was often sung at the end of the Sunday services. Whereas I liked its words but not its music, I composed new music for this sung benediction. The congregation loved this new version and continues to sing it to this day. This new “ Go Now in Peace ” also became the traditional sung benediction at my present church, First Unitarian and Universalist Society of Middleboro, MA. Go Lifted Up is very easily learned by a congregation and may be accompanied by piano, organ, or guitar, or may be sung a cappella.”

How Could Anyone

A song by Alaskan singer, Libby Roderick, was composed in response to a friend in pain. It has been heard around the world, translated into many languages, and is reprinted in many books. The simple folk tune and words have been embraced by people with many types of pain, from AIDS orphans to cancer survivors and prisoners. The lyrics have been used for healing in many different settings that include: churches, hospitals, shelters, rallies, weddings, and funerals.

How Sweet the Darkness

A hymn text that was included in Singing the Living Tradition (with a tune by Vaughan Williams), and was set anew as a choral anthem in memory of those who died on September 11, 2001. The anthem, available from the composer was then reduced to a hymn version for this collection. It is assumed that Ms. Bates' poem originally referred to World War II and the terror in the skies over her native England, but the composer saw new meaning in the words, "When wings pursue their proper flight, and bring not terror, but delight," in light of the tragic event of our day. The hymn tune, MAURO, refers to Dorothy Mauro (1946-2001), a friend of the composer's family who worked and died in the World Trade Center.

This is a spiritual, says Dr. Ysaye Barnwell. She goes on to say, “Any further information [that I would give] would be in the realm of interpretation, and there are many depending on whom you talk to and/or what you are reading.”

I Know I Can

Written in the gospel style, and it is a collaborative effort between the composer, Jeannie Gagné, with lyricist, Rev. Dennis Hamilton, and arranger, Mark Freundt. It comes from hope, prayer, and a strong will. The melody came to Jeannie in about twenty minutes one evening, which she says happens rarely but when it does, she trusts it! They hope this hymn is as inspiring to sing as it was to write.

If Every Woman in the World

From Karen MacKay’s deep connection to the living tradition of West Virginia women’s music; a tradition that, in Karen’s hands and voice, continues to be the means for perpetuating the simple ancient wisdom of mountain women. In 1982, suffering harassment at work and unsure of her life’s direction, Karen spent a weekend with “Aunt Jenny” and received the wisdom that has guided her life and music ever since. “Just git out there and play yer banjer. Git out there and play yer music and give ‘em all you’ve got!” Two weeks later Karen had quit her job. A year later she had written and recorded the songs on her first album, “Annie Oakley Rides Again.”

The final song on that album was If Every Woman in the World . Karen’s strong belief in the power of women to influence global culture and bring peace to the world found a deep expression in this song, and women all over the world have responded by passing it on from woman to woman, country to country. It has been sung at the 1985 International Women’s Conference in Nairobi, as well as at retreats and gatherings throughout Canada and the United States. It was included on the CD, O Beautiful Gaia, recorded by Carolyn McDade and the women of three different bioregions in Canada and the United States. The song’s current form incorporates three new verses written especially for its inclusion in this Unitarian Universalist (UU) hymnal supplement. If Every Woman in the World portrays a powerful dream of planetary peace that begins inside the heart of each person who sings it. The most important thing to remember in singing this music is to heed the simple wisdom of “Aunt Jenny” Wilson, “Just git out there…and give ‘em all you’ve got!”

(Substantial portions of the material included here were taken from Karen MacKay’s article “A Matter of Tradition,” published in HOT WIRE, July 1985.)

In My Quiet Sorrow

Written to honor “those things which are not expressed, kept within the silence of our hearts.” Each week during the Joys and Concerns portion of the UU Society’s worship service where Ms. Gagné is Music Director (Middleboro, MA), congregants come forward to light a candle and say a few words, or, often they choose to be silent. This song was written to acknowledge the concerns or sorrows in our hearts that sometimes go unexpressed—with a prayer for support, love, and guidance. We all have times in our lives that are challenging; sometimes we need to ask for help, but we don’t know quite how or when. Sometimes we pray. This hymn can also be sung as a solo with interpretation on the melody. The composer approaches the melody with interpretation after establishing it in the first verse. Her recording of In My Quiet Sorrow can be downloaded and is on her latest CD, Must Be Love , released Spring 2005. (See Jeannie Gagne's website for purchase information.)

Jazz Alleluia

Can be sung as a round, or "layered" (with each line sung repeatedly by aspecified group from the congregation and/or choir). It is based on the celebrated Pachelbel Canon , and it will benefit from improvisation at the keyboard or other instruments, as well as the addition of a rhythm section. This work is also available as part of a collection of 62 Responses, Benedictions, Introits and Chalice Lighting Songs. Contact the composer at tben2 @ comcast.net or write 4093 Fragile Sail Way, Ellicott City, MD 21042.

This well-known hit song was written and performed by Bill Withers on his 1972 album Still Bill . Fifteen years later, this song gained a second round of popularity when the reggae group, Club Nouveau, recorded it and took it to number one on the Billboard charts. Withers' difficult childhood in the coal mining town of Slab Folk, WV, was the inspiration for the "Lean on Me." It was written after he had moved to Los Angeles and found himself missing the strong community ethic of his hometown. The original version of the song has become a popular, inspirational anthem. It was Withers’ first (and only) Billboard Hot 100 number one single.

Let This Be a House of Peace

A slow gospel-style tune set to text that was adapted from a poem by Kenneth Patton. It is a good opening song for a service. This piece can work well with a rhythm section. It is also available as an SATB arrangement from Jim Scott Music .

May Your Life Be As a Song

This is the refrain that comes from a Russian folk song. The entire song is available in SATB or SAA from Jim Scott Music . The verses are original and the whole song adds a gentle Latin/Bossa Nova beat that is good with rhythm section. The composer likes to end concerts with this song and include the audience in the refrain and in a round.

Meditation on Breathing

This is the chorus from an original solo piece, entitled When I Breathe In , which was written in 2001 following the tragedy of September 11, 2001. This chant has been sung all over the country at various Unitarian Universalist (UU) churches and at peace rallies and marches. It was heard on the Virginia Tech campus after the massacre there in 2007. The following is the text for the verses:

One long day of terror is etched upon my heart When I reflect on the shock that I felt As I cried and watched the world fall apart. Making sense of evil is no small task Some would say, “Let’s bomb ‘em to hell” But before we do we should look at our own past.

At times I feel bewildered like I’m lost in a dream I search for hope in the meaning of truth As I close my eyes and I focus on peace. Fear’s a heavy feeling; it can eat you alive But it can’t run and it can’t hide If you breathe these words, then you know you’ll survive.

When I’m feeling hopeless and out of control I clear my mind as I think on a cure And I center in as I make love my goal. Is war really an answer? Can we find those to blame? All we are saying is “Give Peace a Chance” And I pray to God as I sing this refrain.

The complete song can be obtained from the composer at: sdjones88 @ hotmail.com .

Morning Has Come

This song was composed for and debuted at a morning worship service during the 2001 UUMN conference at the Mountain in Highlands, NC. As the story goes, it had been rainy and gray all week long, but when the time came to debut this song the sun came out and shone gloriously through the chapel windows. Ah, the power of music!

It is important that the accompanist pay close attention to the rhythm patterns in this piece. The accompaniment is essentially in 12/8 time, which means there is a constant triplet feel underneath the relatively straightforward vocal lines. Hand percussion is highly effective with this song, as is a full rhythm section. If you really want to blow the church walls out, and you have the resources available, an organist can play the chorale while a pianist plays the accompaniment (listen to recordings of the Paul Winter Consort for many fine examples of this combination). When using this song in my home church, I generally have a soloist sing the first verse a capella, with much feeling and rubato, then have the ensemble come in—at tempo—as the soloist reaches the word "home." This piece has been recorded on Jason Shelton's CD, The Fire of Commitment .

Mother I Feel You

This song was written on Spencer’s Butte, Eugene, Oregon in 1985. The composer writes, “I was sitting with my friend David, looking out over the vast view of the Willamette Valley, wondering about the ancient roots of the area, talking about the original native tribes who lived there before the white settlers came. We became quiet and sat in meditation for a long time. I was shifted out of meditation dramatically when I became aware that I was singing the song Mother I Feel You Under My Feet, Mother I Hear Your Heartbeat . I sang it for a long time and was very moved by the experience. We hiked down the mountain and shared it with friends. It immediately became a chant that many people resonated with and wanted to learn and has since traveled around the world and been interpreted in many forms and languages.

Nada Te Turbe

A meditation in the traditional style of Taizé, an ecumenical French order grounded in the Protestant tradition, which is based on a popular devotional poem by Saint Teresa de Jesus (1515-1583). Teresa, born in Avila, Spain, spent her life as a Carmelite sister. She was granted sainthood in 1622. That a leading light of the Counterreformation is embraced by a Protestant movement is a significant step on the path of religious understanding. For more information about Taizé, see De Noche . For information about the composer, Jacquers Berthier, see De Noche .

O Brother Sun

This song is based on a well-known poem by St. Francis of Assisi. Sharon Anway wrote these lyrics for the Feast Day of St. Francis and adapted them to the Scottish tune Ye Banks and Braes at St. Luke’s Episcopal Church in Cedar Falls, IA, where Sharon is director of Music Ministry and Composer-in-Residence, and hosts an annual St. Francis Day service that includes blessing animals. The St. Luke’s Choir debuted O Brother Sun in October of 2002.

On the Dusty Earth Drum

A hymn text that originally appeared in Singing the Living Tradition in a much more traditional chorale tune setting. This version is in the style of many earth-centered chants, and works well with a hand drum keeping a "heartbeat" pattern. The round is optional, but if used it should begin with the fourth verse.

Oneness of Everything, The

This is an eco-anthem that works well or group singing or a solo voice. The traditional hymn style melody was intended to have a more contemporary feel, not too somber, with steady folk/rock rhythm. SAA, SATB, or solo/SATB arrangements are available from Jim Scott Music .

Open My Heart

This song, like many other rounds, is most effective when the accompaniment is improvised and the voices are cued so that the energy slowly rises and eventually subsides. Performers are encouraged to use more than just the keyboard for accompaniment. Open My Heart was first performed at the Prescott Unity Church.

Open the Window

Composed in 1997 in Cuzzago, Italy, this is the title song of Elise Witt's 8th recording on the EMWorld Records label. Open the Window was inspired by a Spiritual from the Georgia Sea Islands called Heist the Window, Noah . Though Elise's version uses only one phrase from the original Spiritual, it keeps the intention of naming situations in our lives, personal and global, that need opening for the dove to fly in, for us to find peace.

Elise performs this song "a cappella" in almost every concert, and she always gets the audience singing and signing (American Sign Language) along with her in glorious harmonies. It is a stirring cry for peace, and can be sung by anyone and everyone. One of the most exciting performances of the piece was a performance with the Atlanta All Star Gospel Choir. It was also performed by the Young Singers of Callanwolde, and has been used often in schools. It has been translated into many languages (including Arabic, Bosnian, Spanish, and French), and it is open ended for students and singers to add their own verses about situations in their lives that need a visit from the dove of peace. The Unitarian Universalist congregations of Auburn and Montgomery, AL, hosted a community singing workshop and concert with Elise, where they learned Open the Window . They now use the song regularly with their choirs and in congregational singing.

Open the Window can be accompanied by instruments (as in this calypso version), but Elise almost always performs it a capella and teaches the audience to being her accompaniment. It is also greatly enhanced with the addition of Sign Language. Electronic versions of the song can be heard at Elisa Witt's website and eFolkmusic .

Praise in Springtime

A song which can be sung either as a choir anthem or a congregational song, is part of a collection of 62 Responses, Benedictions, Introits, and Chalice Lighting Songs. Contact the composer at tben2 @ comcast.net or write 4093 Fragile Sail Way, Ellicott City, MD 21042.

Profetiza, Pueblo Mío

Written in 1975 and first sung at the II National Convention of Spanish Speaking Catholics in Washington, DC.

Return Again

A song by the late Rabbi Shalome Carlebach, comes from a musical village tht he founded in Israel. It is the birthplace of many Jewish songs enjoyed around the world. The Hebrew word "tshuva," often translated as repentance during Yom Kippur, literally means "return." This has a deeply spiritual sense of coming back to the source of our being to re-establish right relationship with yourself and others.

Rising Green

Written in 1983, the composer shares these words, “Earth shakes out a mantle of green—each blade of grass true to the integrity within, yet together with others is the rise of spring from winter's urging. Our coming is with the grass—the common which persists, unexalted, but with the essence of life. Our humanness, our rhythms and dreams, the faith which nurtures our ardent love and hope for life—all this we share with earth community, of which we are natural and connected beings."

Rivers of Babylon

This title refers to a time in the 6th-5th centuries B.C.E., when the Jewish people were led off into exile following the destruction of their nation and temple. These experiences produced a literature, as reflected in Psalm 137, “by the rivers of Babylon...” that expressed their desire for repentance and reconciliation with God, and a return to the land of Judah. It is a popular church tune in Jamaica. Rastafarians who reside there sing it all the time. This tune was popularized in the U.S. by its inclusion in a movie The Harder They Come starring reggae great, Jimmy Cliff. The most notable version of "Rivers of Babylon" was recorded by The Melodians, a famous Jamaican singing group. The soundtrack album is still available in the U.S. from Island Records (314) 586-1582 (another version is available through Amazon ).

The song title refers to a Spanish-language setting of the Sanctus portion of the Roman Catholic Mass which is from a complete Mass cycle Misa Popular Salvadorena composed in 1968 by Guillermo Cuéllar. It was commissioned by the late archbishop of San Salvador, El Salvador, Oscar Romeros (1917-1980), who was martyred for his devotion to the poor and his political advocacy for their plight. The verses of this Sanctus expand the usual Mass-text with the ideas of liberation theology, of which Romeros was an ardent advocate. "To know God is to do justice," was his theological mantra.

Shall We Gather at the River

A traditional American hymn, and both music and text are attributed to Robert Lowry (1826-1899), a Baptist preacher of some brilliance. In 1864, while Lowry was pastor of Hanson Place Baptist Church in Brooklyn, he wrote this hymn during a disastrous epidemic in New York City. The river to which the hymn alludes is the "river of life" described in the final chapter of the Book of Revelation. Lowry is also acknowledged as the source of the popular hymn How Can I Keep from Singing , #108 in Singing the Living Tradition .

A South African freedom song that comes from the Apartheid Era. It is not clear whether the original composition was in Zulu or Afrikaans, although today we sing it in Zulu and English. It is said to have been composed by Andries van Tonder around 1950. However, we credit Anders Nyberg, musical director of Fjedur, a Swedish choral group, with discovering it on one of his trips to Cape Town. In 1984 he arranged it for a Western four-voice setting.

The structure of "Siyahamba" is cyclic rather than sequential. The lyrics consist of one phrase that is repeated with permutations. Cyclical forms emphasize a spirit of community and allow for a physical response during the performance. This may explain this song’s popularity as a processional and offertory as well as a protest or marching song. "Siyahamba" is appropriate for both sacred and secular settings for it could be sung, "We are standing in the light of peace." The song may be accompanied by drums, bell, and shakers; and it can be sung a cappella with male voices which is favored by the Zulu tradition.

Answering the Call of Love ( formerly : Standing on the Side of Love)

Written in 2004 to honor the Reverend William Sinkford, president of the Unitarian Universalist Association, for his prophetic witness in being one of the leading voices of our movement in the Marriage Equality issue. It has since become something of an anthem for the movement, taking a central role in several congregational initiatives around the country. It has been recorded on Jason Shelton's CD, The Fire of Commitment , and will also be featured on a new recording by the Buffalo Gay Men's Chorus .

The song has a lilting pop style, and singers and congregations should take care not to sing it too heavily. A lighter, more relaxed sound will make the rhythms clearer and more easily sung. I generally have a soloist sing the verses, invite the congregation to sing the chorus, and use a choir for the background parts (available in a separately published choral octavo from Yelton Rhodes Music ). The use of a full rhythm section (piano, bass, and drum set) is most effective and highly recommended.

Székely Áldás (Székely Blessing)

A traditional Hungarian blessing, known in Transylvania as the Házi Áldás , or “House Blessing.” This setting of the blessing is a “partner song” with the text in Hungarian in one part and in English in the other part. It was composed for the choir of First Parish in Concord, MA on the occasion of their Musical Pilgrimage to Transylvania in the summer of 2002. The song is dedicated to Concord’s partner congregation in Székelykeresztúr and to the musical pilgrims of First Parish in Concord.

The song can be performed with guitar alone, keyboard alone, or guitar and keyboard combined. Sing the Hungarian part first in unison, and then the English part. Then sing the combined parts for as long as time will allow.

There is a Balm in Gilead

The song title refers to an ancient trade item such as was carried by the caravan of merchants to whom Joseph was sold. It is likely that it is what is now known as balsam of Mecca from a tree native to southern Arabia. In Edgar Allan Poe’s poem, The Raven , a character believes that the balm of Gilead can heal his broken heart from the loss of his lover’s death.

Thula Klizeo

A Zulu chant written by Joseph Shabalala on trip to New York City in 1988. He missed his home in South Africa, and with Apartheid still in effect, he did not know if he would ever be allowed to return. He said, “Be still my heart, even here I am at home.” You wouldn’t think that such a short song would have so much meaning behind it, but we’re talking a different paradigm than our paradigm of wordy hymns. The power in chants like Thula Klizeo is in the depth of the meaning, its connection to the traditions of the past and its defiance for a better tomorrow.

The song should be repeated a number of times! It should be performed a cappella with no percussion. Nick Page learned this song from Shabalala by rote, and Nick recommends teaching it by rote. It can be used in a procession as well as a dance. There are two different versions of the dance which can be found in the following sources: Sing and Shine On published by World Music Press and from Circle of Song printed by Full Circle Press. Additional information can be found at Circle of Song .

Turn the World Around

An arrangement of the classic Harry Belafonte tune, which was first performed when he appeared as the guest host of the Muppet Show in 1977. As the song was being introduced on the show, Belafonte was asked where he gets his ideas for his songs, "Well, they don't come easily, you have to get inspired. Like the song we're going to do next; I discovered that song in Africa. I was in a country called Guinea; I went deep into the interior of the country and in a little village, I met with a storyteller. And that storyteller went way back into African tradition and African mythology and began to tell the story about the fire, which means the sun, and about the water and about the earth and that he pointed out that all these things put together turn the world around. And that all of us are here for a very, very short time and in that time when we're here, there really isn't any difference in any of us if we take time out to understand each other. And the question is, do I know who you are, do you know who I am, and we care about each other? Cause if we do, together, we can turn the world around."

Ubi caritasis

This song is the refrain of a short text from a 9th-century Latin hymn for the Offices, those monastic services said or sung at eight intervals each day, following the Rule of St. Benedict, 535 C.E. For information about theTaizé tradition, see De Noche; for information about the composer, Jacques Berthier, see Vieni Spirito Creatore .

Vieni Spirito Creatore

One of four songs in Singing the Journey which comes from theTaizé tradition (see De Noche ). Jacques Berthier (1923-1994) became the principal composer for theTaizé monastic community in the south of France. A celebrated liturgical composer, Berthier served as organist for the Church of St. Ignatius, the Jesuit Church in Paris, from 1961 until his death in 1994. In 1975, the brothers ofTaizé charged Berthier to "write simple chants to be sung by the young folk who come every summer toTaizé from every part of the world." The vast collection of this simple, heartfelt music makes it true effect through calm repetition. It is the music of meditation.

This is the last song in a suite that began with the lyric, “Lawd, it’s midnight. A dark and fear filled midnight. Lawd, it’s a midnight without stars.” Dr. Barnwell wanted to create a complete circle of experience, and so she wrote “for each child that’s born, a morning star rises...” This phrase is meant to establish hope, and it defines the uniqueness of each one of us. No matter what our race, culture or ethnicity, each one of us has been called into being and are the sum total of all who came before. In the composer’s words, “Each and every one of us stands atop a lineage that has had at its core, mothers and fathers and teachers and dreamers and shamans and healers and builders and warriors and thinkers and, and, and...so in spite of our uniqueness, we come from and share every experience that human kind has ever had. In this way, we are one.”

We Give Thanks

Written in the fall of 2000 at a ministers' retreat in Cazenovia, New York. During our mealtimes, colleagues would take turns to offer a prayer or song to give thanks for the bountiful food and abundant friendship we shared with one another. The composer writes, “I had volunteered to offer something for a breakfast blessing, however, on the morning of the breakfast I was responsible for, I still wasn't sure what it would be. I awoke early that day and, as I often do, took a morning walk. Many of the songs I write emerge in my walking time, the rhythm of my steps creating a background beat, my surroundings offering inspiration. That morning it was exceptionally foggy, it had rained the night before and everything was drenched, heavy and spectacularly beautiful. That morning We Give Thanks started singing in me as I walked. The original words for the song were: Oh we give thanks (echo) For the fog and rain (echo) For the placid lake, (echo) For joy and pain (echo) For the food we share (echo) With love and care (echo) Oh we give thanks (echo) For the fog and rain (echo) We sang it together in the dining hall as a call and response. I have shared the song at congregational events and conferences across North America and have adapted it as needed (depending on the weather and locale—it's been "wind and sun/learning and fun.") In 2003, I adapted the song for our local neighborhood association's outdoor winter and summer solstice celebrations. Those versions go like this: Winter Solstice: Oh we give thanks (echo) For this shortest day (echo) For the solstice tree (echo) Children at play (echo) For birds that sing (echo) The promise of spring (echo) Oh we give thanks (echo) For this shortest day (echo) Summer Solstice: Oh we give thanks (echo) For this longest day (echo) For the gentle breeze (echo) Children at play (echo) Good bye to spring (echo) To summer we sing (echo) Oh we give thanks (echo) For this longest day (echo) When I submitted "We Give Thanks" to be considered for the UUA's new hymnal supplement, I again altered the words—this time to be a more general song of praise and thanksgiving. The newest words (written in the summer of 2004) are: Oh we give thanks for this precious day For all gather'd here and those far away For this time* we share, with love and care Oh we give thanks for this precious day (the word "time" can be replaced with "food" to be used as a meal blessing") Please feel free to use any of the verses above-as a call and response or a unison song. It can be sung to begin and close meetings, as a blessing over food, in worship, in personal devotion, anywhere it moves you!

When I Am Frightened

This song, also titled Then I May Learn , was commissioned in 1999 by the First Unitarian Church of Dallas for their Hymnal Supplement ( Voices of the Spirit ) which was published for their Centennial Celebration. Because of her life-long commitment to working with and empowering youth, Shelley took the opportunity to write a piece based on children's yearning for truth, respect, and engagement with adults. In keeping with a philosophy that "children are watching, what are they learning?", Then I May Learn is meant as a reminder that all children deserve and need compassion, acceptance, commitment...and that they often learn to both give and receive these essential elements of relationship through the simple act of observation.

The song works well with guitar accompaniment, and with improvised harmonies. The Mountain Quartet utilizes a large screen PowerPoint as they sing the song, with poignant photos of children all over the world in scenes of both war and peace, underscoring and emphasizing the text.

When Our Heart Is in a Holy Place

Written in 1996, this song invites us to see ourselves in others. As we come to understand that all people have wisdom to share and stories to tell—regardless of culture, race, social status, or faith—we begin to realize how important our commonalities are, and how interwoven our lives. When we open ourselves to this sacred idea, then “our heart is in a holy place.” This theme of mutual respect and understanding is a basic value of Unitarian Universalists, who continually strive to be more inclusive and tolerant. The universal message of “Holy Place ” makes it a relevant choice for multi-faith and multicultural gatherings as well.

An alternative arrangement of When Our Heart Is in a Holy Place features two simple harmony parts suitable for congregational singing. This version, and other material by Joyce Poley, is available through her website at Song Style Music .

When the Spirit Says Do

This was one of the songs that was used during the Civil Rights Era at virtually every demonstration, mass meeting of activists, and march in the late 1950s and early 1960s. Singing songs helped give the activists strength and a sense of self. For more detailed information, you may explore the book, When the Spirit Says Sing!: The Role of Freedom Songs in the Civil Rights Movement , written by Kerran L. Sanger.

When Will the Fighting Cease?

This song was written as a reaction to the buildup of the invasion of Iraq.

Where Do We Come From?

The lyrics of this song come from the French title of a famous oil painting by Paul Gauguin created in Tahiti in 1997 and 1998. It is currently housed at the Museum of Fine Arts in Boston, MA. The three groups of women, read from the right to left, represent the three questions posed in the title of the painting. The women with the child represent the beginning of life "Where Do We Come From?" The middle group, represent the daily existence of adulthood "What Are We?" The old woman facing death is asking, "Where Are We Going?"

This piece can be sung in a three or four part round, in any combination of voices, and the composer encourages use of percussion. There are virtually infinite possibilities with this piece by staggering entrances.

Winter Solstice Chant

Written for the 2003 Winter Solstice Celebration at the Unitarian Universalist Congregation of Monmouth County, this arrangement of the chant for SATB choir and piano (with optional harp and small percussion) can be obtained from the composer, phillipnpalmer @ hotmail.com .

Written by Ghanaian drummer Sol Amarifio, Woyaya is the title song of a 1971 album by Oisibisa, a musical group of Ghanaian and Caribbean musicians. It was frequently heard in work camps throughout central West Africa in the 1970s and 1980s. The arrangement in Singing the Journey comes from the version by Ysaye Barnwell (of Sweet Honey in the Rock). “Woyaya,” like many other African scat syllables, can have many meanings. According to the song’s composer, it means “We are going.” This song is frequently used in bridging ceremonies (UU ceremonies of passage from youth to young adulthood).

The Journey - SATB

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JOURNEY SONG

by Mari Alice Conrad

featuring Babɛl Choir, directed by Dr. Elaine Choi, in Toronto, Ontario

I am the Silence Between Two Rivers

and from this silence, let me follow the Song O Great Song, at the rising of a well-spring O Great Song, as I tumble from this silence to the ceaseless singing sea let me follow you, swallow you, and sing

Enough light for the journey, and breath enough enough fire for the journey, and love enough enough road for the journey, and will enough and all along the way to hear the song that we are.

O Great Song, in which we all fly home Great Song, a moment and we’re gone

O Great Song Great River of Song

*An excerpt from this poem was first published, under the title ‘Journey Prayer’

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Journeysongs, Third Edition

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’Tis Good, Lord, to Be Here

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’Tis the Gift to Be Simple
A Child Is Born in Bethlehem
A Christmas Gloria
A Just Man Honored from Above
A Mighty Fortress
A Voice Cries Out
Abba! Father
Abide with Me
Aclamación al Evangelio/Gospel Acclamation
Acto Penitencial con Invocaciones/Penitential Act with Invocations
Adoro Te Devote/Godhead Here in Hiding
Advent Gospel Acclamation
Advent Lamb of God
Advent/Christmas Gospel Acclamation
Again We Keep This Solemn Fast
Agnus Dei XVIII
All Creatures of Our God and King
All Glory, Laud, and Honor
All Good Gifts
All Hail the Power of Jesus’ Name
All Hail, Adored Trinity
All I Ask of You
All My Days
All People That on Earth Do Dwell
All Praise and Glad Thanksgiving
All That Is Hidden
All the Earth
All the Ends of the Earth
All the Ends of the Earth Have Seen the Saving Power of God
Alle, Alle, Alleluia
Alleluia for the Easter Season
Alleluia No. 1
Alleluia! Alleluia!
Alleluia! Alleluia! Let the Holy Anthem Rise
Alleluia! Give the Glory
Alleluia! Raise the Gospel
Alleluia! Sing to Jesus
Alma Redemptoris Mater
Alternate Evening Hymn (O Radiant Light)
Amazing Grace
Amen (Doxology and Amen)
Amén. El Cuerpo de Cristo
America the Beautiful
An Old Irish Blessing
Angels We Have Heard on High
Angels, from the Realms of Glory
Anunciamos Tu Muerte/We Proclaim Your Death
As I Have Done for You
As the Deer Longs
As We Gather at Your Table
As with Gladness Men of Old
Asperges Me
At the Cross Her Station Keeping
At the Lamb’s High Feast
At the Name of Jesus
Ave Verum Corpus
Away in a Manger
Baptized in Water
Be Joyful, Mary, Heavenly Queen
Be Merciful, O Lord
Be Not Afraid/No Temas Más
Be Still and Know That I Am God
Be Still, My Soul
Be Thou My Vision
Be with Me, Lord
Be with Me, Lord (Psalm 91)
Bearers of Peace
Beautiful Savior
Because the Lord Is My Shepherd
Behold the Cross
Behold the Lamb
Behold the Lamb of God
Behold the Wood
Behold, before Our Wondering Eyes
Beyond the Days
Blessed Be the Name of the Lord
Blessed by Your Sacrifice
Blessed Feasts of Blessed Martyrs
Blessed Jesus, at Your Word
Blessed the People
Blessing / Dismissal
Blest Be the Lord
Bread for the World
Bread of Life
Bread of Life (Original and Advent/Christmas Verses)
Bright as the Sun, Fair as the Moon
By All Your Saints Still Striving
By the Waking of Our Hearts
Cada Vez que Comemos/When We Eat This Bread
Canticle of Simeon
Canticle of Zachary
Celtic Alleluia
Celtic Alleluia: Sending Forth
Center of My Life
Change Our Hearts
Child of the Poor
Children, Run Joyfully
Christ Be beside Me
Christ before Us
Christ Is Alive
Christ Is Arisen
Christ Is Made the Sure Foundation
Christ Is the King
Christ Was Born on Christmas Day
Christ, Be Our Light (Original and Easter Vigil Verses)
Christ, Circle Round Us
Christ, the Lord, Is Risen Again
Christ, the Lord, Is Risen Today
Christians, Let Us Love One Another
Christians, to the Paschal Victim
Christmas Psalm/Today a Savior Is Born
Christmas Season Gospel Acclamation
Church of God, Elect and Glorious
City of God
Come Down, O Love Divine
Come Now, Almighty King
Come Now, and Praise the Humble Saint
Come to Me and Drink
All Products (11)
Keyboard (1)
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Description

This eBook is not intended for desktop/laptop or for printing/copying; slightly modified from original print version. Please note: the USCCB does not currently approve tablet devices for liturgical use (at ambo/pulpit).

This Journeysongs, Third Edition Solo Instrument Accompaniment eBook features a variety of C and B-flat parts for solo instruments and can be used on iPad and Android tablets as a rehearsal and planning tool. Its interactive table of contents makes for easy access to arrangements for each musician.

This Journeysongs, Third Edition Guitar Accompaniment eBook features guitar chords with selected vocal harmonies and can be used on iPad and Android tablets as a rehearsal and planning tool. Its interactive table of contents makes for easy access to arrangements for each musician.

This Journeysongs, Third Edition Keyboard Accompaniment eBook provides sheet music for organ or piano and can be used on iPad and Android tablets as a rehearsal and planning tool. Its interactive table of contents makes for easy access to arrangements for each musician.

Journeysong Story Video

Journeysong Key Features

Journeysong Previews & Samples

Journeysong Song List

Download the complete index of titles by clicking the "i" icon next to each product above

Updated and offering a trusted repertoire of over 850 titles, the latest edition of this beloved hymnal includes music from the biggest names in Catholic music today, including Bernadette Farrell, Bob Hurd, Michael Joncas, Carey Landry, Dan Schutte, the St. Louis Jesuits, Christopher Walker and more!

These titles include a generous selection of music for seasons, solemnities and feasts, including 200 new hymns and songs from Breaking Bread and Spirit & Song . A variety of music in both English and Spanish for weddings, funerals, RCIA, feast days and more make this hymnal a great choice for bringing your congregation together during parish-wide celebrations. Learn how one community in Louisiana served their traditional assembly with Journeysongs, Third Edition .

Latin Chant Mass
Belmont Mass by Christopher Walker
Heritage Mass by Owen Alstott
Mass of Christ the Savior by Dan Schutte
Mass of Glory by Ken Canedo and Bob Hurd
Mass of Renewal by Curtis Stephan
Mass of Spirit and Grace by Ricky Manalo, CSP
Mass of the Resurrection by Randall DeBruyn
Misa Santa Fe by Mary Frances Reza
Order of Christian Funerals
Christian Initiation/RCIA and Benediction
Marriage ceremonies
Penance Rites
And for pastoral care of the sick, the aged, and the dying

Well organized, with an easy-to-follow arrangement of topics, the full set of indices include liturgical, metrical, scriptural, topical and more to help you prepare more engaging liturgies.

The accompanying 28-CD set contains recordings of more than 700 titles, and optimizes rehearsal time by helping your musicians learn the music more quickly and thoroughly so they can lead your congregation in song.

A variety of accompaniment books—all available as physical books or convenient and easy-to-use eBooks—ensures that your musicians will have the tools they need to bring the songs you know and love to life.

Not sure this is the hymnal you're looking for? Explore all of OCP's hymnals .

In Celebration of the Human Voice - The Essential Musical Instrument

The Journey

Voicing: SATB

Songbooks, Arrangements and/or Media

Displaying 1-3 of 3 items.

Malcome Archer (Editor) : Epiphany To All Saints for Choirs

A uniquely accessible and comprehensive resource for use in church services and concerts throughout the Church's year. The volume's 50 SATB pieces, both accompanied and unaccompanied, are suitable choirs of all sizes and abilities and provides an excellent choice of pieces for the Principal Feasts. The collection champions new, approachable, and unjustly neglected repertoire spanning all periods and traditions, whilst avoiding widely available or difficult music. The book includes many previously unpublished or newly commissioned anthems, arrangements, and editions by important composers and church musicians and contains useful musical and liturgical introductions in addition to full indexes, glossaries of additional uses for the repertoire.

Songlist: Arise Shine O Jerusalem, Behold the Lord, the ruler is come, Bethlehem of noblest cities, Brightest and best of the sons of the morning, It was a star, Lo star led chiefs, Magi venint ab orient, Surge Illuminare, The Journey , Tribus Miraculis, Hodie beata virgo, Maria das Jungfrauelein, Nunc Dimittis, Phos Hilaron, Prayer for the blessing of light, Angelus ad Virginem, Ave maria, Ave maris Stella, Dixit Maria, Hail Blessen Virgin Mary, Ne timeas Maria, Nova Nova, Ascendens Christus, Hail the day that sees him rise, He that descended, O clap your hands, O king of Glory, Lord ascendeth upon high, Gracious Spirit Holy Ghost, Holy spirit ever dwelling, and more

Walter Ehret : Christmas Carols of Spain and Latin America

A collection of 27 traditional carols for unison and 2 part voices arranged by Walter Ehret. In Spanish with English translations.

Songlist: A La Nanita Nana, Come, My Dear Old Lady, Thou Art Well Content, Foom, Foom, Foom, The Son Of Mary, Holy Joseph And Mary The Maid, King Herod, The Icy December, Carol Of The Birds, We'll Speak Very Softly, O Bethlehem, A Fire Is Started In Bethlehem, Bells Over Bethlehem, O My Loveliest One, In Bethlehem's Cradle, The Holy Child, At The Hour Of Midnight, Song Of The Wise Men, Shepherds In Bethlehem, Happily Singing, We Are Singing, As The Frightened Baby Jesus, The Journey , Going To Bethlehem, Pray Give Us Lodging, The Babe, Hasten Now, O Shepherds

St. Louis Children's Choir : Spring Concerts 2006

This CD includes highlights from the 2006 Spring Concerts, recorded live at Manchester United Methodist Church on May 14, 2006. The St. Louis Children's Choir performs with the Saint Louis Symphony on a regular basis. Concert Choir, the advanced touring ensemble, joined the Symphony for "On the Transmigration of Souls" by John Adams at Powell Hall and Carnegie Hall in the spring of 2006.

Songlist: J'entends le Moulin, Akakomborerwa, There Is No Rose, Bright Is the Ring of Words, Harps and Wheels, Let There Be Music, Old Joe Clark, A Nightingale Sang in Berkeley Square, Solidaridad, Wee Little Piute, Just Like Me, Good Night, The Journey , Red Dragonflies, Shady Grove, Yankee Doodle Joy, Dravidian Dithyramb, Va, pensiero from Nabucco, Light Out of Darkness, The Brightening Air, We Gather Here Together

Individual Folios

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Lists of Songs With Arrangements

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The Harmony Sweepstakes A Cappella Festival

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Worship Songs about the Journey

The Bible pictures the Christian life of following Jesus Christ as being like a journey. In fact, when you think about it, we are all on a journey—whether you are a person who takes their time to enjoy the ride or a person who just wants to get there. The fact is we are all on this journey called life. Download chord charts , vocal sheets , orchestrations , patches , and multitracks of songs and hymns on the theme of journey.

Last Updated: June 28, 2024

The Father's House (Studio)

The Commission

Oh How Good It Is

Send Me (Live)

Untitled Hymn (Come To Jesus)

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Easy Choir Songs For Beginners

If you’re a beginner choir singer looking for some easy songs to start with, you’ve come to the right place! Choir singing is a beautiful and rewarding experience, but it can be intimidating for beginners. However, with the right songs and some practice, you’ll be on your way to becoming a confident choir singer in no time.

In this article, we’ll explore nine easy choir songs for beginners, along with interesting details about each one. These songs are perfect for those who are just starting out in choir and are looking to build their repertoire. So grab your sheet music and get ready to sing your heart out!

1. “Lean on Me” by Bill Withers

“Lean on Me” is a classic song that is perfect for beginner choir singers. The lyrics are simple and uplifting, making it easy for new singers to learn. The harmonies in this song are also relatively straightforward, making it a great starting point for beginners. This song is sure to bring a sense of unity and togetherness to your choir performances.

2. “Hallelujah” by Leonard Cohen

“Hallelujah” is a beautiful and emotional song that is perfect for beginner choir singers. The haunting melody and powerful lyrics make this song a favorite among singers of all levels. The harmonies in this song can be a bit challenging, but with practice, beginners can master them. This song is sure to leave a lasting impression on your audience.

3. “Stand By Me” by Ben E. King

“Stand By Me” is a timeless classic that is perfect for beginner choir singers. The simple melody and heartfelt lyrics make this song a favorite among choirs of all ages. The harmonies in this song are relatively easy to learn, making it a great choice for beginners. This song is sure to bring a sense of unity and strength to your choir performances.

4. “Amazing Grace”

“Amazing Grace” is a traditional hymn that is perfect for beginner choir singers. The simple melody and powerful lyrics make this song a favorite among choirs around the world. The harmonies in this song are relatively easy to learn, making it a great choice for beginners. This song is sure to inspire and uplift your audience.

5. “Can’t Help Falling in Love” by Elvis Presley

“Can’t Help Falling in Love” is a romantic ballad that is perfect for beginner choir singers. The gentle melody and heartfelt lyrics make this song a favorite among singers of all levels. The harmonies in this song are relatively simple, making it a great choice for beginners. This song is sure to touch the hearts of your audience.

6. “What a Wonderful World” by Louis Armstrong

“What a Wonderful World” is a beautiful and uplifting song that is perfect for beginner choir singers. The positive lyrics and gentle melody make this song a favorite among choirs of all ages. The harmonies in this song are relatively easy to learn, making it a great choice for beginners. This song is sure to bring a sense of joy and optimism to your choir performances.

7. “Ain’t No Mountain High Enough” by Marvin Gaye and Tammi Terrell

“Ain’t No Mountain High Enough” is a fun and energetic song that is perfect for beginner choir singers. The catchy melody and powerful lyrics make this song a favorite among singers of all levels. The harmonies in this song are relatively simple, making it a great choice for beginners. This song is sure to get your audience up on their feet and dancing along.

8. “You’ve Got a Friend” by Carole King

“You’ve Got a Friend” is a heartwarming song that is perfect for beginner choir singers. The comforting lyrics and gentle melody make this song a favorite among choirs around the world. The harmonies in this song are relatively easy to learn, making it a great choice for beginners. This song is sure to bring a sense of warmth and friendship to your choir performances.

9. “I Will Always Love You” by Whitney Houston

“I Will Always Love You” is a powerful ballad that is perfect for beginner choir singers. The emotional lyrics and soaring melody make this song a favorite among singers of all levels. The harmonies in this song can be challenging, but with practice, beginners can master them. This song is sure to leave a lasting impression on your audience.

These nine easy choir songs for beginners are perfect for those who are just starting out in choir. Whether you’re looking for uplifting ballads or fun and energetic tunes, there is something for everyone on this list. So grab your sheet music and start practicing – you’ll be singing like a pro in no time!

Common Questions:

1. How do I join a choir as a beginner?

To join a choir as a beginner, you can start by looking for local choir groups in your area. Many churches, community centers, and schools have choir programs that welcome beginners. You can also consider taking private singing lessons to improve your skills before joining a choir.

2. Do I need to know how to read music to join a choir?

While it can be helpful to know how to read music, it is not always necessary to join a choir as a beginner. Many choirs provide sheet music and vocal guidance to help beginners learn the songs. With practice and dedication, you can improve your music reading skills over time.

3. How often do choirs practice?

The frequency of choir practices can vary depending on the group. Some choirs practice weekly, while others may meet bi-weekly or monthly. It is important to attend rehearsals regularly to learn the songs and harmonies effectively.

4. Can I sing in a choir if I have a limited vocal range?

Yes, you can still sing in a choir even if you have a limited vocal range. Choirs are made up of singers with varying vocal abilities, and there is usually a part for everyone to sing. As you practice and gain experience, you may find that your vocal range expands over time.

5. What should I wear to choir rehearsals?

For choir rehearsals, it is best to wear comfortable clothing that allows you to move freely and breathe easily. Many choirs have specific dress codes for performances, so be sure to ask your choir director about any requirements.

6. How can I improve my singing voice as a beginner?

To improve your singing voice as a beginner, you can start by practicing vocal exercises and warm-ups regularly. You can also consider taking voice lessons from a professional vocal coach to receive personalized guidance and feedback.

7. How can I overcome stage fright when performing with a choir?

To overcome stage fright when performing with a choir, it can be helpful to practice mindfulness and relaxation techniques before performances. You can also visualize yourself singing confidently on stage and focus on the music rather than the audience.

8. What are some tips for singing in harmony with a choir?

To sing in harmony with a choir, it is important to listen carefully to the other singers and blend your voice with theirs. You can also practice singing scales and intervals to improve your pitch and intonation.

9. How can I memorize songs quickly for choir performances?

To memorize songs quickly for choir performances, you can start by breaking down the lyrics and melodies into smaller sections. Practice each section repeatedly until you feel comfortable singing it from memory. You can also use mnemonic devices or visualization techniques to help you remember the songs.

10. How can I stay on pitch while singing in a choir?

To stay on pitch while singing in a choir, it is important to listen carefully to the music and the other singers around you. Focus on matching your pitch and tone to the rest of the group, and practice singing scales and intervals to improve your intonation.

11. What are some good vocal warm-ups for choir singers?

Some good vocal warm-ups for choir singers include lip trills, sirens, humming exercises, and vocal sirens. These exercises can help warm up your vocal cords and improve your vocal range before rehearsals and performances.

12. How can I breathe properly while singing in a choir?

To breathe properly while singing in a choir, it is important to take deep breaths from your diaphragm and exhale slowly to control your airflow. Practice breathing exercises and focus on maintaining good posture to support your breathing while singing.

13. How can I project my voice while singing in a choir?

To project your voice while singing in a choir, it is important to use proper breath support and engage your diaphragm while singing. Focus on opening your mouth and resonating your sound to fill the space with your voice.

14. How can I communicate with my choir director effectively?

To communicate with your choir director effectively, it is important to listen carefully to their instructions and ask questions if you need clarification. Be open to feedback and suggestions, and be willing to collaborate with the director and other choir members to achieve the best possible performance.

15. How can I build my confidence as a beginner choir singer?

To build your confidence as a beginner choir singer, it is important to practice regularly and focus on improving your vocal skills. Surround yourself with supportive choir members and mentors who can help you grow as a singer. Remember that everyone starts somewhere, and with dedication and perseverance, you can become a confident choir singer.

16. How can I choose the right songs for my choir performances?

When choosing songs for your choir performances, consider the vocal range and abilities of your choir members, as well as the theme or mood of the performance. Select songs that showcase the strengths of your choir and resonate with your audience to create a memorable and engaging performance.

17. How can I continue to improve as a choir singer?

To continue improving as a choir singer, it is important to practice regularly, seek feedback from your choir director and peers, and participate in vocal workshops and performances. Set goals for yourself and work towards achieving them to grow as a singer and musician.

In conclusion, choir singing is a wonderful and fulfilling experience that can bring people together through the power of music. With the right songs and a bit of practice, beginner choir singers can build their skills and confidence to become successful performers. So don’t be afraid to step out of your comfort zone and join a choir – you never know where your voice may take you. Sing your heart out and enjoy the journey!

Final thoughts: As a beginner choir singer, it’s important to remember that everyone starts somewhere. With dedication, practice, and a positive attitude, you can become a confident and skilled performer. Don’t be afraid to challenge yourself and try new things – you may surprise yourself with what you can achieve. So keep singing, keep learning, and most importantly, keep having fun! Choir singing is a journey of self-discovery and growth, so embrace every moment and enjoy the music. Good luck on your choir singing journey – the world is waiting to hear your voice!

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Meet Zion’s Youth, the Las Vegas symphony and chorus opening for the Jonas Brothers

The las vegas-based group of over 200 youth will perform familiar patriotic songs before the jonas brothers sing..

Zion’s Youth Symphony & Chorus are from Las Vegas and will open for the Jonas Brothers at the Stadium of Fire.

By Caroline McDonald

Zion’s Youth Symphony & Chorus will be performing for the very first time at the Stadium of Fire this Thursday in celebration of the Fourth of July, opening for the Jonas Brothers.

Thousands of people attending the event will hear this youth group — comprising of over 200 14- to 18-year-olds — perform a series of patriotic songs in honor of Independence Day.

Who is Zion’s Youth Symphony & Chorus?

The group’s mission, according to the Zion’s Youth website , is to “cultivate the Spirit of the Lord and build testimonies of the restored gospel of Jesus Christ through the development of musical talent and performance of inspiring music.”

Located in Las Vegas, the symphony and chorus was founded in 2003 as a “small string orchestra” before growing into a renowned musical ensemble, which has performed with a variety of guest artists — including David Archuleta, GENTRI, Jordan Bluth, Yaphet Bustos, Katie Kern and many others.

The symphony is directed by David Skouson and the chorus is directed by Holly Steed.

Twice a year, the audition-only group performs in the Las Vegas Smith Center for the Performing Arts , a venue which has hosted award-winning artists, shows and musical productions.

Zion’s Youth may have had humble beginnings, but the talented and driven youth have earned attention through their devoted practice and stunning performances — which have now inspired thousands of people.

In December 2019, the group released a music video, “I Am a Child of God,” which is “an inspirational music video by Zion’s Youth Symphony & Chorus featuring the talents of some amazing youth musicians and highlighting the important message that we all share the divine heritage of a loving Heavenly Father,” per the synopsis.

The journey to the Stadium of Fire

Elise Noorda, the executive director of Zion’s Youth Symphony & Chorus, has a brother on the board for the Freedom Festival in Provo. Several years ago, she began to dream of a potential performance at the event.

“Six or seven years ago, at least, he introduced me to the executive director of the Freedom Festival, Jim Evans,” she said, before adding that when they met, she presented who Zion’s Youth was and what they did.

As the years went on, and as the group released the “I Am a Child of God” video, Noorda kept in touch with Jim Evans until one Thursday in January. “I got a text from Jim Evans saying the producers of the stadium show, which is out of southern California, wondered if they could get on a meeting Monday afternoon. And I was like, yes, I totally can.”

She and Skouson, the director of the symphony, hopped on a Zoom call with the producers of the stadium show. Within 10 minutes, they were invited to perform at the event.

“We started figuring out, you know, ideas of how we could do it and what kind of things we’d want to do,” Noorda said. “And David and I are texting on the side going, oh my gosh, we’re doing this, we’re doing it.”

Performing for such a large audience is a huge undertaking

Skouson arranged all the music, including an intro to “The Star-Spangled Banner,” for the youth to perform. Noorda admitted that there have been many readjustments along the way. The project is not only a huge undertaking, but is fairly new for the group.

“This is new,” she said. “We’ve gone from 2,000 people watching us in a venue to 55,000 people. How do we turn up the temperature and make it something that’s really, you know, inspiring and exciting for a stadium full of people instead of a performing arts theater?”

Noorda expressed gratitude to all the families and their children who have been involved in making this dream a reality. Many of the youth lost opportunities to participate because of the COVID-19 pandemic. Noorda hopes that this will make it all worth it.

As part of their preparation, all of the 14- to 18-year-olds — including members of the symphony — have memorized their music. That means no music folders or music stands will be around when they perform. Only the cello, the harp and the guitar players will be seated, with everyone else standing in formation.

The group also recorded their songs in a studio that will play on the stadium’s speakers. They will perform with the track so the audience can hear them loud and clear.

In addition to performing at the Stadium of Fire, members of Zion’s Youth will also appear in the Grand Parade , an additional event in the Freedom Festival celebration.

When asked what the future holds for Zion’s Youth, Noorda said she isn’t exactly sure. But as the talented youth become more visible, she hopes that the opportunity to perform with Zion’s Youth Symphony & Chorus will provide a “foundation stone” for them — one they can use to build their lives, their confidence and their testimonies.

‘Be excited,’ youth choir member says

The participants in the chorus and symphony are excited — to say the least — about performing at the Stadium of Fire event.

The harpist of the symphony, Anneliese Leavitt-Scott, 18, has been a member of the ensemble for five years. “Be excited,” she tells those who are coming to the Freedom Festival.

“We want you guys to be able to hear what we’re hearing and be happy and have a good Fourth of July because of us,” she said. “So we’re here. We’re coming and playing for you guys today.”

Sixteen-year-old Lincoln Barney, a member of the chorus, has been with Zion’s Youth for two years. He said that he loves the opportunity to express his thanks to military members through song.

Bridget Chamberlain, the 18-year-old concertmaster, agreed. “Usually we’re singing about Jesus or, you know, spiritual things. But this one, we get to sing about our country and living in America. And I think that’s really cool.”

Viola player Sam Whitlock, 18, said that being able to perform with Zion’s Youth alumni — who have returned exclusively for this performance — has been a wonderful experience.

Three other members of the chorus — 18-year-olds Regan Johnson, Emma Law and Carly Jones — said that Zion’s Youth unites them.

“It’s like all of these teenagers come together and we just sing about how much we love our country and how much American pride we have,” Emma said. “And I think that’s just super special.”

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Listen: Will Smith Releases New Song Feat. Fridayy and Sunday Service Choir

Will Smith, the Grammy Award-winning artist, has released his new song “You Can Make It,” featuring Fridayy and the Sunday Service Choir. The song debuted with a lyric video on Thursday and was officially released on Friday.

In the track, Smith collaborates with Fridayy and the Sunday Service Choir, known for their work with Kanye West, to deliver an inspiring message about perseverance. As reported in Complex, Smith explains that a difficult journey leads to greater rewards, reflecting on his challenges, including the Oscars incident.

“Believe me, they tried to bleed Will Smith,” he raps. “In the rearview, I see adversity was the gift. To lift me higher, gifts require faith. So dry your eyes and then you’ll find a way.” He also reassures listeners that “madness” will eventually fade and the “darkest of nights will turn into days.”

We’ve reported that Smith is set to perform this new track at the BET Awards on Sunday, marking his first major solo performance in years.

Here’s what Connie Orlando, EVP of Specials, Music Programming & Music Strategy at BET said and how she expressed excitement about Smith’s return to the stage. “From his start as a rapper to The Fresh Prince to being a box office king as one of the Bad Boys, Will Smith is truly a global icon, and we are honored to welcome him back to grace the BET Awards stage,” she said. “We look forward to Will adding to yet another defining night for the culture that is not to be missed.”

Check out the lyric video and song below:

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Will Smith Debuts New Single ‘You Can Make It’ With Kirk Franklin, Chandler Moore and Sunday Service Choir at the BET Awards 2024

By Steven J. Horowitz

Steven J. Horowitz

Senior Music Writer

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LOS ANGELES, CALIFORNIA - JUNE 30: Will Smith performs onstage during the 2024 BET Awards at Peacock Theater on June 30, 2024 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)

Will Smith debuted his new single “You Can Make It” at the 2024 BET Awards, just two days after releasing the track that features Fridayy and Sunday Service Choir.

Popular on Variety

In anticipation of “You Can Make It,” Smith has been teasing new music for a minute. In May, he told Fandango that he had been in the studio for a few years, and hinted on his Instagram that his upcoming album may be titled “Dance in Your Darkest Moments.” Additionally, singer Teddy Swims said that he recently recorded a song with Smith and that “he’s the sweetest guy ever.”

Prior to his performance at the BET Awards, Smith hit the stage most recently at the “Grammy Salute to 50 Years of Hip-Hop,” where he joined DJ Jazzy Jeff for a medley of both solo and collaborative hits. The duo, who were the first rap act to receive a Grammy award for hip-hop in 1989 with “Parents Just Don’t Understand,” ran through songs including “Brand New Funk,” “Summertime” and Smith’s “Gettin’ Jiggy With It.” As he performed, his wife Jada Pinkett-Smith and children Willow and Jaden cheered him on from the audience.

The seasoned actor also returned to the big screen in the blockbuster “Bad Boys: Ride or Die,” which hit theaters in June. The film was a smash at the box office, grossing nearly $332 million worldwide and becoming the ninth-highest-grossing film of this year.

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Will Smith Sees 'Adversity' as a 'Gift' in New "You Can Make It" Track: 'They Tried to Bleed Will Smith'

Fresh off the latest 'Bad Boys' film's box office success, Big Will is hitting the mic alongside Fridayy and the Sunday Service Choir.

Will Smith is urging anyone going through a difficult period in their life to "embrace the journey" in his new song "You Can Make It," out today .

Assisted by Fridayy and the Sunday Service Choir, the latter of which should be familiar to longtime Ye listeners from the Jesus Is King era, Big Will begins the new track in an inspirational mindset by appealing directly to the listener to not give up amid their struggles. This continues into the second verse, where Smith posits that a more difficult journey means a greater reward ("The harder the fall, the higher you soar") before shifting into a more personal perspective.

"Believe me, they tried to bleed Will Smith," he raps in a line that’s certain to be linked to the can-we-please-stop-talking-about-it Oscars slaptroversy . From there, the recent Bad Boys: Ride or Die star reframes "adversity" as a "gift" that helped him reach new heights.

Believe me, they tried to bleed Will Smith In the rearview, I see adversity was the gift To lift me higher, gifts require faith So dry your eyes and then you'll find a way Out of the madness, out of the maze Out of the sadness into the rays The darkest of nights will turn into days And every storm runs out of rain, hold on

View this video on YouTube

In the two years since Smith’s televised slapping of Chris Rock , speculation has persisted, at least until quite recently, that the incident would have a lasting negative impact on the 55-year-old actor in the eyes of the public. This was proven to be a decidedly ridiculous assumption with this month’s release of Smith and Martin Lawrence ’s fourth Bad Boys entry, which debuted atop the U.S. box office and has since stacked up just under $300 million globally .

On the music side of things, the four-time Grammy winner hasn’t rolled out a full-length studio album since 2005’s Lost and Found . Following his recent surprise performance of "Men in Black" at this year’s Coachella festival, memory of which was wiped clean for those in attendance due to the timely deployment of a neuralyzer , Smith is next set to perform at this weekend’s BET Awards.

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Fridayy Reveals He Recorded Hook on Will Smith's New Song 4 Years Ago: 'It's a Blessing' (Exclusive)

The singer-songwriter spoke to PEOPLE about working with Smith on his brand-new single, "You Can Make It," which the latter will perform at the 2024 BET Awards on Sunday

Nathan Vinson is the Weekend Audience Editor for PEOPLE.com, where he oversees PEOPLE's social media channels, newsletters and notifications over the weekend. He has been working for the brand since 2022.

Will Smith ’s brand-new song, “ You Can Make It ,” may have come as a surprise to fans when it dropped on Friday, but the single has apparently been years in the making.

On Sunday, June 30, Fridayy — who’s featured on the Oscar-winning actor’s track alongside the Sunday Service choir — spoke to PEOPLE at the 2024 BET Awards , where he discussed how the uplifting collaboration came about.

“I recorded that hook four years ago in my mom's house in 2020,” the BET Awards nominee revealed at the Peacock Theater in Los Angeles.

The “God Did” singer-songwriter also gave a shoutout to producer Ayo , one-half of Grammy-winning duo Ayo N Keyz, whom he said started working with Smith earlier this year.

“He played Will the hook, and Will added his verses on there,” he added, “so it's a blessing, bro.”

Fridayy also spoke to the power of his music — including his collaboration with Smith — standing the test of time, saying, “The type of music I make, like you said, it's hopeful, it’s motivational and it's timeless. I can make a hook five years ago, and it means something to people today.”

Bennett Raglin/Getty

Smith will perform his collaboration with Fridayy — who’s nominated for best male R&B/pop artist — live for the first time at the BET Awards tonight. The actor explained the significance behind the new major release — his first in over five years — on social media on Friday, June 28, writing , “Through some of my darkest moments, music has always been there for me — to lift me and help me grow.”

He continued, “It’s my humble wish that it can do the same for you and bring you all the joy and light you deserve.”

Smith’s latest single comes shortly after he told Extra this month he’s “been in the lab” working on new music for the last year and a half. “I have a project that is, without question, the most personal and powerful music that I’ve ever made,” shared the Bad Boys: Ride or Die star. “So, you know, I'm going to sneak that out on you in a month or so.”

The 2024 BET Awards air on June 30 at 8 p.m. ET/ PT live from the Peacock Theatre in Los Angeles.

Will Smith Wows Fans as He Performs New Single at BET Awards (VIDEO)

Will Smith performs onstage during the 2024 BET Awards

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Will Smith debuted his new single “You Can Make It” at the 2024 BET Awards. It was his first-ever BET Awards performance.

Two days after releasing the track on Friday, June 28, Smith started off his BET Awards performance standing on a circular podium in the middle of a ring of fire. He was joined by Chandler Moore and Sunday Service Choir.

Gospel singer Kirk Franklin made a surprise appearance alongside Smith, delivering a spoken-word piece in the form of a sermon. The two were then joined by a group of backup singers, after which Smith closed out his performance with the lines: “Nobody gets an easy ride / We all have a cross to bear / But there’s wisdom in the fire / And every moment is an opportunity / Embrace the journey.” Watch the video below.

BET announced Smith as a special performer last week, just ahead of his single release.

“From his start as a rapper to The Fresh Prince to being a box office king as one of the Bad Boys, Will Smith is truly a global icon, and we are honored to welcome him back to grace the BET Awards stage,” Connie Orlando, EVP Specials, Music Programming & Music Strategy at BET, said in a press statement ahead of Sunday’s show.

Prior to his performance at the BET Awards, Smith most recently performed live at the 2023 Grammy Salute to 50 Years of Hip-Hop, where he joined DJ Jazzy Jeff for a medley of both solo and collaborative hits. The rap duo received a Grammy award for hop-hop for their 1988 hit single “Parents Just Don’t Understand.” Other songs in the album include “Brand New Funk,” “Summertime,” and “Gettin’ Jiggy With It.”

Smith made history as the first rapper to win a Grammy.

Days before the 2024 BET Awards performance, the 55-year-old shared a video of himself on Instagram playing the piano.

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“Through some of my darkest moments, music has always been there for me – to lift me and help me grow,” read the caption. “It’s my humble wish that it can do the same for you and bring you all the joy and light you deserve.”

Smith has also found success in his most recent return to the big screen in the blockbuster Bad Boys: Ride or Die . The fourth film in the popular franchise grossed nearly $332 million worldwide, marking it as the ninth high-grossing film of this year.

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THE JOURNEY (w/ "Simple Gifts" and "Going Home") (SATB Choir)
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THE JOURNEY (WITH "SIMPLE GIFTS" AND "GOING HOME") (TB Choir
To purchase print edition or for more info: https://bit.ly/3s8IEZ3To purchase digital score & audio (includes PDF/MP3 download): https://bit.ly/45XbE3BFor pr...
The Journey (SATB ) arr. Joseph M. Martin| J.W. Pepper Sheet Music
Buy The Journey (SATB ) arr. Joseph M. Martin at jwpepper.com. Choral Sheet Music. Combining Simple Gifts and the Going Home th. Register Today for the New Sounds of J.W. Pepper Summer Reading Sessions - In-Person AND Online! ... Journey, The Part-Dominant MP3 Bundle - Two-Part View Details. 11508910F. $49.99 Quantity . Journey, The Part ...
The Journey
This is the Selah Intermediate School's Choir performing a Joseph M. Martin arrangement called "The Journey" for Choir Contest 2015.
Joseph M. Martin "The Journey" (arr. Joseph M. Martin) TB Choir + Piano
choral sheet music for The Journey by Joseph M. Martin arranged for TB Choir + Piano Includes piano accompaniment in D Major. SKU: MN0284239. choral sheet music for The Journey by Joseph M. Martin arranged for TB Choir + Piano Includes piano accompaniment in D Major. Insufficient Pro Credits Add 3 credits for only $12.99 Add to Cart Cancel.
The Journey
Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size. A lyrical violin part adds to the bittersweet qualities of this simple yet profound classic.
The Journey Sheet Music
The Journey. by Joseph M. Martin. SATB Choir - Digital Sheet Music. $2.99. Taxes/VAT calculated at checkout. Qty: Add to Cart. Unauthorized duplication hurts music creators. Please ensure you purchase the number of copies needed to accommodate all members of your ensemble.
Singing the Journey Song Information
A song which can be sung either as a choir anthem or a congregational song, is part of a collection of 62 Responses, Benedictions, Introits, and Chalice Lighting Songs. Contact the composer at tben2 @ comcast.net or write 4093 Fragile Sail Way, Ellicott City, MD 21042. Profetiza, Pueblo Mío
The Journey
Start your 30-day free trial today! Access The Journey - SATB digital sheet music with a MakeMusic Cloud subscription.
Journey
Don't Stop Believin' Lyrics. [Verse 1] Just a small-town girl, livin' in a lonely world. She took the midnight train goin' anywhere. Just a city boy, born and raised in South Detroit. He took ...
Songs for the Journey
11164482. M. $31.00. Do Not Stand at My Grave and Weep (Song for the Journey) Part-Dominant MP3 Bundle - Unison. View Details. 11505923F. $49.99.
JOURNEY SONG
LYRICS. I am the Silence Between Two Rivers. and from this silence, let me follow the Song. O Great Song, at the rising of a well-spring. O Great Song, as I tumble. from this silence to the ceaseless singing sea. let me follow you, swallow you, and sing. Enough light for the journey, and breath enough. enough fire for the journey, and love enough.
Journeysongs, Third Edition
This Journeysongs, Third Edition Choir/Cantor eBook includes choral parts and harmonies, music format display for all psalm verses and minimal page turns. It can be used on iPad and Android tablets for quick and easy access during rehearsal and planning. This eBook is not intended for desktop/laptop or for printing/copying; slightly modified from original print version.
Songs for the Journey
CCHS Choir Concert Video Songs for the Journey CCHS Concert Chorale Joseph Martin
Lea Salonga
[Chorus] What a journey it has been And the end is not in sight But the stars are out tonight And they're bound to guide my way [Post-Chorus] When they're shining on my life I can see a better day ...
Song
The Journey. Uses: Graduation, General Scripture: Isaiah 11:2-3; Romans 12:3; Hebrews 11:10 Two beloved tunes form a partner song joined by not only music, but poetic purpose as well. Friendly ranges, an approachable piano part and a variety of voicings to choose from open this best-seller to ensembles of any size.
Worship Songs about the Journey
The Bible pictures the Christian life of following Jesus Christ as being like a journey. In fact, when you think about it, we are all on a journey—whether you are a person who takes their time to enjoy the ride or a person who just wants to get there. The fact is we are all on this journey called life. Download chord charts, vocal sheets ...
Easy Choir Songs For Beginners
1. "Lean on Me" by Bill Withers. "Lean on Me" is a classic song that is perfect for beginner choir singers. The lyrics are simple and uplifting, making it easy for new singers to learn. The harmonies in this song are also relatively straightforward, making it a great starting point for beginners. This song is sure to bring a sense of ...
Zion's Youth Symphony & Chorus: The journey to Stadium of Fire
Who is Zion's Youth Symphony & Chorus? The group's mission, according to the Zion's Youth website, is to "cultivate the Spirit of the Lord and build testimonies of the restored gospel of Jesus Christ through the development of musical talent and performance of inspiring music.". Located in Las Vegas, the symphony and chorus was founded in 2003 as a "small string orchestra" before ...
Listen: Will Smith Releases New Song Feat. Fridayy and Sunday Service Choir
The song debuted with a lyric video on Thursday and was officially released on Friday. In the track, Smith collaborates with Fridayy and the Sunday Service Choir, known for their work with Kanye
The Journey Of Faith Sheet Music
The Journey Of Faith. by Joseph M. Martin. SATB Choir - Digital Sheet Music. $1.99. Taxes/VAT calculated at checkout. Qty: Add to Cart. Unauthorized duplication hurts music creators. Please ensure you purchase the number of copies needed to accommodate all members of your ensemble.
Will Smith Debuts New Song 'You Can Make It' At BET Awards
Will Smith debuted his new single "You Can Make It" at the 2024 BET Awards, just two days after releasing the track that features Fridayy and Sunday Service Choir. For his first-ever BET ...
Search the journey
10295001. $79.95. Journey: Piano Sheet Music Anthology. Journey - Alfred Music Publishing. For pianists who love "Journey," this collection is a dream come true. More than 150 pages of piano/vocal arrangements detail 28 of the band's standout songs for unlimited hours of fun at the keys.
The Journey (SATB ) by Lloyd Larson| J.W. Pepper Sheet Music
The Journey. Lloyd Larson - Beckenhorst Press. This thought-provoking story of the Magi opens and closes with the choir quoting KINGS OF ORIENT as they hauntingly sing on "oo." The original music that follows sensitively sets the text based on Matthew 2:1-12 and 2 Corinthians 4:6. It is scored for SATB voices with stellar piano accompaniment.
The Journey
This is the Selah Intermediate School's Choir performing a Joseph M. Martin arrangement called "The Journey" for their 2015 Spring Concert.
Journey On (TTB Choir)
To purchase print edition or for more info: https://bit.ly/3KRwS8sTo purchase digital score & audio (includes PDF/MP3 download): https://bit.ly/3P3iiygFor pr...
Will Smith in New "You Can Make It" Track: 'They Tried to ...
Will Smith is urging anyone going through a difficult period in their life to "embrace the journey" in his new song "You Can Make It," out today.. Assisted by Fridayy and the Sunday Service Choir ...
Fridayy Reveals He Recorded Hook on Will Smith's New Song 4 Years Ago
Fridayy spoke to PEOPLE about working on Will Smith's new single "You Can Make It," on Sunday, June 30, at the 2024 BET Awards, where the Oscar-winning actor will perform it live for the first time.
Will Smith Wows Fans as He Performs New Single at BET Awards (VIDEO)
The song featured a surprise sermon. ... by Chandler Moore and Sunday Service Choir. ... to bear / But there's wisdom in the fire / And every moment is an opportunity / Embrace the journey ...