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The Postal Service

Death cab for cutie.

The Postal Service & Death Cab for Cutie

With slow pulp.

• Date Apr 30 , 2024
• Availability On Sale Now

ARRIVE EARLY

Doors scheduled to open at 6PM

Show scheduled to start at 7:30PM

GA guests must enter through SW Rotunda to get wristbands

JOIN US before the show ... Boombox Riot in the East Market at 6PM

SHUTTLES WILL RUN.

Need a ride after the show?  Uber and Lyft pickup is located at St. John Arena

Bags or Purses of any size are NOT permitted. Wallets/ wristlets no larger than 5”x 8”x1” are permitted. A dedicated screening lane is available for guests with medical or dietary needs – one bag permitted. We suggest leaving most items at home. Management reserves the right to determine prohibited items. Guests may return them to their vehicle or surrender to Security without return.

NO AUDIO or VIDEO RECORDING! No professional cameras or detachable lenses. GoPros, selfie sticks and iPads prohibited.

The Schottenstein Center has gone cashless. Make parking, concession and merchandise purchases via debit / credit card or mobile payment. 

Need a break or assistance? - A Wellness Room is available outside Seating Section 104. Masks are optional. We ask fans to be respectful of each other.

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The Schottenstein Center Ticket Office (Northeast corner of venue) is open weekdays from 9AM-4PM  with extended hours on event days .  Email [email protected]  or call 1-800-GO-BUCKS (1-800-462-8257).   

Live it up!   CLICK HERE to see if  suites are available. CLICK HERE  to pre-purchase parking. CLICK HERE for general Traffic & Parking info. 

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The Postal Service Tour 1 by Jason Munn

The Postal Service concert poster 2013 North American Tour – Leg 1 hand made 2 color screen print measures 18 x 24 inches

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Jason Munn​ Seattle

Jason Munn is originally from Wisconsin but now calls Oakland, California home. Arising from a love of independent music, design, and making for the sake of making, his posters soon became a fixture in the local independent music scene. He started The Small Stakes in the fall of 2003. Jason's work has appeared in Print, Communication Arts, Step Inside Design, Computer Arts Projects, Étapes, ReadyMade, and Creative Review. His work has also been featured in numerous exhibits and is part of the permanent collection at the San Francisco Museum of Modern Art.

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The Postal Service | Death Cab For Cutie

Performing give up + transatlanticism.

• Date May 06 , 2024
• Event Starts 7:30 PM
• Venue Miller High Life Theatre
• Doors Open 6:30 PM
• On Sale Availability On Sale Now

Event Details

With Special Guest Slow Pulp

To celebrate two decades of ‘Give Up’ and ‘Transatlanticism’, The Postal Service & Death Cab for Cutie have joined forces for an unprecedented 20th anniversary co-headline tour. Each night, Benjamin Gibbard, the co-founder of both bands, will pull double duty performing with The Postal Service – comprised of Gibbard, Jimmy Tamborello, and Jenny Lewis – as well as with Death Cab for Cutie (alongside Nick Harmer, Dave Depper, Zac Rae, and Jason McGerr). The extraordinary live run will see both iconic groups performing their seminal 2003 albums in full.

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For group sales information, please email  [email protected]  or call 414-242-8200 . Inquiries can also be submitted via our  Group Sales Page .

Please note that group rates are typically offered for groups of 20 or more, but are sometimes offered for groups of 10 or more. Discounts range from 10-20% but vary from show to show (not all shows support a group rate due to high demand or other restrictions).

Bag Policy & Prohibited Items

SMALL PURSES ONLY, PLEASE. PURSES ARE SUBJECT TO SEARCH To efficiently create a positive and safe experience for all patrons, only small purses (13″W x 4″D x 9″H and smaller) are allowed into the theater and all are subject to search.

All other bags  including backpacks and oversized purses are  strictly prohibited  and  bag storage is NOT available  at The Pabst, The Riverside, Turner Hall Ballroom or The Back Room @ Colectivo.

THE FOLLOWING ITEMS ARE PROHIBITED AND ARE NOT ALLOWED INTO ANY OF THE VENUES. Weapons, laser pens, signs, banners, electronic smoking devices (vapes, Juuls, etc.), oversized bags, backpacks, outside food and beverages including water, cans, bottles, alcohol, illegal substances, iPads/tablets, selfie sticks, laptops, professional audio recording devices (unless approved by artist), and any professional photography equipment. The use of vape pens inside the venues are prohibited as well.

PLAN AHEAD: LEAVE YOURSELF EXTRA TIME Plan to arrive 30 minutes before you want to be in your seat  to allow time to go through our security check.  Please leave large bags at home or in your car.

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Review: The Postal Service, Death Cab for Cutie turn back the clock in Seattle

The triangular Ben Gibbard-shaped silhouette feverishly rocked and swayed as a wave of guitar distortion slowly grew in force. The Death Cab for Cutie frontman and his mates were only faintly visible on the giant low-lit stage, but it was impossible not to see and feel Gibbard’s adrenaline mounting as the band launched into “The New Year” in front of a virtually sold-out Climate Pledge Arena — a big stage, even by Death Cab standards — on Friday.

The track is one of the Seattle indie rock greats’ most explosive songs and the ready-to-blow crowd reciprocated as the blustery rocker came crashing in with those swelling guitars and Nick Harmer’s stabbing bass lines.

Conveniently, the fuse-lighting fan favorite is the opening track off Death Cab’s seminal “Transatlanticism,” which the band is playing in full on its current tour with another Gibbard-led band, The Postal Service. The co-headlining run marks the 20th anniversary of “Transatlanticism” and The Postal Service’s lone record “Give Up” — two era-defining indie rock albums, for Seattle and the genre more broadly.

For fans of a certain age, the album anniversary tour has become commonplace, both a crowd-winning serving of nostalgia and a savvy marketing move. The strong response to the Gibbardpalooza tour even surprised the man himself, who didn’t expect to play two nights at the hometown arena Death Cab helped christen in 2021. There isn’t a babysitter in Seattle with the weekend off, as another millennial-heavy crowd is expected to pack Climate Pledge for the second show on Saturday, exactly 20 years to the date since “Transatlanticism” was released on Seattle’s Barsuk Records.

But Friday night wasn’t just another stop on a ticket-selling anniversary run.

“Seattle, oh my God, we’re so [expletive] happy to see you guys,” Gibbard exclaimed before another fan favorite, “Title and Registration.”

Really, he didn’t need to say anything. His body language made it clearer than a translucent vinyl record. Gibbard, as pensive and eloquent a songwriter as his generation’s produced, isn’t necessarily thought of as a dive-headfirst-into-the-drum-set sort of rocker. But early on, the amped-up frontman furiously paced and stomped around the outsized stage like he could smash his guitar at any second, even during the delicate “Title and Registration.”

Unlike The Postal Service, Gibbard’s one-off collaboration with electronic producer Jimmy Tamborello that played a reunion run a decade ago, Death Cab has steadily toured and recorded over the past 25 years. With a number of songs off “Transatlanticism” — Death Cab’s commercial breakthrough that officially made the band indie-famous — ingrained in its set lists over the years, it was the deeper cuts, like acoustic closer “A Lack of Color” that made for the most memorable moments.

As the album’s title track, a set-list staple that’s one of the band’s more subtly dramatic numbers, segued seamlessly into the less common “Passenger Seat” (just as it does on the album), the crowd seemed to savor the moment. The audience, one of the most attentive and engaged that arena’s ever seen, was frequently pindrop-quiet when songs like the stripped-down piano ballad — performed by Gibbard and multi-instrumentalist Zac Rae — called for it.

Between Gibbard’s upshifting falsetto on the back half and the crowd’s perfect response, concisely howling with appreciation during Gibbard’s first few vocal pauses, it was as bone-chilling as a Seattle January.

As intimately as Seattle has come to know Death Cab and Gibbard — the Capitol Hill OG seen around town stumping for the Showbox or catching Treepeople at the Croc — over the years, it was almost a little strange (in a good way) to see their faces blown up on the arena’s big screens. No doubt a major reason the co-headlining run is drawing crowds so large is the opportunity to see The Postal Service for the first time since Gibbard, Tamborello and singer-songwriter Jenny Lewis reunited for a 10th anniversary run in 2013.

Released on Sub Pop eight months before “Transatlanticism,” “Give Up” became a certified indie smash — the second highest selling album in the homegrown label’s esteemed history, trailing only Nirvana’s “Bleach.” That’s some serious company, and appropriate considering that the two landmark albums helped ensure that Seattle and the Pacific Northwest would play a prominent role in the indie-rock boom of the 2000s, after the grunge era’s sunset.

“There started to bubble up this, I would like to think unpretentious, but very literate, emotive, earnest music that was coming from the Northwest,” Gibbard said in an interview before the shows, referencing bands like Modest Mouse and Portland’s The Shins and The Decemberists. He continued: “These weren’t, like, cool records. People weren’t writing about them as if they were cool, because I think that earnestness is often uncomfortable for some people.”

There’s a high degree of humility in those words, as the critical consensus on the well-aged indie classics (and those PNW bands collectively) has certainly been favorable over time. And when the just-enough stage and arena lights brightened to illuminate the packed-out upper levels during The Postal Service’s set, it was a clear testament to the staying power of two records Gibbard wrote in an attic apartment on Mercer Street 20-some years ago.

After a brief intermission, The Postal Service — dressed in all white and bolstered by Dave Depper and pop-ins from drummer Jason McGerr, both of Death Cab — took the stage with the humming synths that open one of the band’s more recognizable tunes, “The District Sleeps Alone Tonight.” As the clacking electronic beats swept in and Lewis’ airy backing vocals signaled the crew was ready for liftoff, the crowd erupted in response.

Even with all the glitchy, bleeping electro notes twirling about, there’s a stillness at the center of “The District” and so many Postal Service songs that make them feel like standing in the middle of an 8-bit snow globe.

While hardly uncommon today, The Postal Service’s melding of indie rock and electronic music was still a novel concept back in the early 2000s. What sets the band apart even to this day is the synergy between Tamborello’s warm tones and Gibbard’s poetic heart-on-sleeve lyricism, delivered with a gentle breeze. It’s a wonder how well-worn the songs felt, even back then, considering the long-distance collaboration between Gibbard and Tamborello that had the two snail-mailing each other demo CDs (hence the band name). That tender harmony was on full display with songs like “Sleeping In” and a slow-drifting “Recycled Air.”

As well-received as Death Cab’s brisk run through “Transatlanticism” was, prompting a standing ovation, the crowd was even giddier for the once-in-a-decade chance to see The Postal Service. The rarity of the performance and more danceable fare made the reunited act the de facto headliner of what’s technically a co-headlining tour, all told roughly a two-hour show, including the intermission.

For a special Seattle treat, The Postal Service was joined by local singer-songwriter Jen Wood to sing her buzzing and buoyant duet with Gibbard on “Nothing Better,” a gleeful rendition that put a whimsical spin on a love denied.

While Lewis, a prominent indie rock singer-songwriter in her own right, is a little underused in The Postal Service, she received a larger share of the spotlight during the encore, joining Gibbard for a second, acoustic-only pass through “Such Great Heights.” The penultimate duet — mimicking an indie-folk version fellow Sub Pop vets Iron & Wine recorded years ago — set up a walk-off cover of Depeche Mode’s “Enjoy the Silence,” featuring the rest of the Death Cab crew.

Dedicating the endearingly lo-fi “Brand New Colony” to the hometown a few minutes earlier, Gibbard harked back to the songs’ attic-apartment origins, sounding a little astonished to be playing them on the Climate Pledge Arena stage two decades later. “I never in a million [expletive] years would have ever thought that you guys would have been here tonight. So Seattle, this song is for you.”

As successful as the anniversary run has been, perhaps we’ll see ’em in another 10.

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The opinions expressed in reader comments are those of the author only and do not reflect the opinions of The Seattle Times.

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Postage stamp prices are about to increase for second time this year

A fter increasing the price of a first-class postage stamp to 68 cents in January, the U.S. Postal Service is planning to increase the cost again in the coming days.

The USPS will bump the cost of a first-class “Forever” stamp to 73 cents on July 14, a 5% jump from the previous price point and 10 cents above the price at the start of 2023. The announcement about the second jump this year was initially made in April.

"The Postal Service is also seeking price adjustments for Special Services products, including Certified Mail and money order fees," the organization said then . "Notably, there will be no price increase for Post Office Box rental fees, and the Postal Service will apply a price reduction of 10 percent for postal insurance when mailing an item."

Since January 2020, postage prices have increased 33%. And they’ve jumped just shy of 50% in the past decade.

The Postal Service says the increases have been necessary due to the financial health of the agency. Postmaster General Louis DeJoy is in charge of the USPS. The major Trump donor (who was n ominated by Trump and cannot be fired by President Biden) has been criticized for his leadership, with the USPS bleeding money during his reign. In the first quarter of fiscal 2024 alone, USPS reported a $2.1 billion net loss, more than double its $1 billion net loss during the same time period in 2023. (The USPS says it plans to break even by 2030.)

“This is not sustainable, and the more prices go up the more volumes go down, until USPS hits a death spiral,” Robert D. Atkinson, president of the Information Technology and Innovation Foundation, a think tank that specializes in productivity and innovation issues, told Fortune earlier this year .

The USPS maintains that even with the increases, postal service rates are among the most affordable in the world.

This story was originally featured on Fortune.com

The Postal Service Tour

The postal service goes live on-stage in….

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The Postal Service - Reunited in 2024!

Indie pop fans were overjoyed when Ben Gibbard, Jimmy Tamborello, and Jenny Lewis - better known collectively as the early '00s supergroup The Postal Service - announced a new reunion tour to celebrate the twentieth anniversary of the release of their sole album Give Up , but they also know that the best tickets for the handful of scheduled dates are sure to go fast. Especially since Death Cab for Cutie will also perform. So make sure you're there to hear "We Will Become Silhouettes" and "Against All Odds" live - check The Postal Service Tour info below, and get tickets now!

Friday, August 9th, 2024

Outside Lands Music & Arts Festival: The Killers, Sturgill Simpson & The Postal Service - 3 Day Pass Golden Gate Park San Francisco, CA

Saturday, August 10th, 2024 12:00 PM

Outside Lands Music & Arts Festival: Sabrina Carpenter & The Postal Service - Saturday Golden Gate Park San Francisco, CA

Saturday, September 21st, 2024 12:00 PM

HFStival: The Postal Service, Death Cab For Cutie, Incubus & Bush Nationals Park Washington, DC

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Postage stamp prices will increase soon. Here’s when you should buy them before the rates rise

• Updated: Jul. 05, 2024, 11:27 a.m. |
• Published: Jul. 05, 2024, 11:15 a.m.

Postage stamp prices will increase by 5 cents starting July 14, 2024. AP

• Katherine Rodriguez | NJ Advance Media for NJ.com

You might want to think about buying stamps soon before prices increase.

The price of Forever Stamps will increase by 5 cents from 68 cents per stamp to 73 cents per stamp starting July 14, 2024, according to the U.S. Postal Service .

The last time postage stamps increased was in January 2024, when Forever Stamps increased from 66 cents to 68 cents.

The Postal Regulatory Commission received notice of the price hike.

Here are the other fees that the Postal Service is proposing:

• Letters, metered, 1 ounce - increase from 64 cents to 69 cents
• Domestic postcards - increase from 53 cents to 56 cents
• International postcards - increase from $1.55 to $1.65
• International letter, 1 ounce - increase from $1.55 to $1.65

There are no price increases planned for USPS Ground Advantage, Priority Mail or Priority Mail Express services.

Our journalism needs your support. Please subscribe today to NJ.com .

Katherine Rodriguez can be reached at [email protected] . Have a tip? Tell us at nj.com/tips .

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Price of postage stamps to be raised soon, despite recent increase

Postal service director explains stamp process.

William J. Gicker, director of stamp services for the US Postal Service, explains how individuals or chosen to appear on stamps.

If you're running low on stamps, you might want to buy a book sooner rather than later.

The U.S. Postal Service (USPS) is expected to raise the price of its postage stamps again, which would be the second time in 2024 that the cost of stamps has increased.

Starting July 14, a f irst-class mail "Forever" stamp will reportedly cost 73 cents each — a 5% jump from its current price of 68 cents.

In April, the USPS announced that it had filed notice with the Postal Regulatory Commission about its proposal for new stamp prices. The proposal also suggested that the mailing price of international postcards and letters be raised from $1.55 to $1.65.

PRECIOUS US STAMP FROM 1868 EXPECTED TO SELL FOR EYE-POPPING SUM: 'RAREST OF THE RARE'

Plastic bin with text reading United States Postal Service outdoors in Lafayette, California, June 21, 2024. (Photo by Smith Collection/Gado/Getty Images)

"The Postal Service is also seeking price adjustments for Special Services products, including Certified Mail and money order fees," the press release from April read. "Notably, there will be no price increase for Post Office Box rental fees, and the Postal Service will apply a price reduction of 10 percent for postal insurance when mailing an item."

On January 22, 2023, the price of stamps was 63 cents each. That increased to 66 cents in July of the same year, and then 68 cents in January 2024. 

The USPS explained that the new prices were "needed" for the agency's financial health.

"As changes in the mailing and shipping marketplace continue, these price adjustments are needed to achieve the financial stability sought by the organization’s Delivering for America 10-year plan," the USPS said. 

The cost of forever stamps is increasing from 68 to 73 cents. (Justin Sullivan/Getty Images / Getty Images)

"USPS prices remain among the most affordable in the world."

According to its website, the Delivering for America plan is "guiding the transformation of the United States Postal Service from an organization in financial and operational crisis to one that is self-sustaining and high performing."

The 10-year plan began in 2021, which was the same year that First-Class Mail Forever stamp prices rose from 55 cents to 58 cents.

USPS's ten-year Delivering for America plan began in 2021. (Hans Gutknecht/MediaNews Group/Los Angeles Daily News via Getty Images)

Fox Business reached out to the USPS for comment, but did not immediately hear back.

LINK: Get updates on this story and more at foxbusiness.com.

Stamp prices are going up in 2024. Here is when, why and how much

The U.S. Postal Service has filed a notice with the Postal Regulatory Commission proposing changes to mailing services prices, set to take effect this month. The new rates include a 5-cent increase for First-Class Mail Forever stamps, raising the cost from 68 cents to 73 cents.

When do stamp prices go up?

The price increase takes effect July 14, 2024.

Stamp prices 2024

The proposed adjustments, approved by the Postal Service governors, would result in an about 7.8% increase in mailing services product prices. If the commission approves, the price changes would include:

• Letters (1 oz.): Increase from 68 cents to 73 cents
• Letters (metered 1 oz.): Increase from 64 cents to 69 cents
• Domestic postcards: Increase from 53 cents to 56 cents
• International postcards: Increase from $1.55 to $1.65
• International letters (1 oz.): Increase from $1.55 to $1.65

The additional-ounce price for single-piece letters will increase from 24 cents to 28 cents. The Postal Service is also seeking price adjustments for special services products, including certified mail and money order fees. Notably, there will be no increase in Post Office Box rental fees, and a 10% reduction in postal insurance costs for mailed items will be applied.

The Postal Service says these adjustments are necessary to achieve the financial stability outlined in its "Delivering for America" 10-year plan. Despite the changes, USPS prices remain among the most affordable in the world.

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