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Jpegmafia and Danny Brown Announce Summer 2023 Tour

Jpegmafia and Danny Brown have announced a joint tour in support of their new collaborative album, Scaring the Hoes . After kicking things off on July 25 in Nashville, the rappers will embark on a lengthy trip across the United States, with stops planned in cities like Cleveland, Buffalo, New Haven, Philadelphia, Boston, Atlanta, Orlando, and Houston. The run concludes on August 26 in Dallas. Find a complete list of the musicians’ tour dates below.

Scaring the Hoes came out last month and includes the singles “ Lean Beef Patty ” and “ Scaring the Hoes ,” both of which came with music videos. As far as their solo careers go, Jpegmafia’s most recent release was LP! , which came out in 2021, while Danny Brown dropped his full-length Uknowhatimsayin¿ , which was executive produced by Q-Tip , back in 2019.

Read about Danny Brown’s 2011 release, XXX , and Jpegmafia’s 2018 record, Veteran , in Pitchfork’s list “ The 200 Best Albums of the 2010s .”

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Jpegmafia & Danny Brown:

07-25 Nashville, TN - Marathon Music Works 07-26 Louisville, KY - Paristown Hall 07-28 Indianapolis, IN - Old National 07-29 Cleveland, OH - Agora Ballroom 07-30 Pittsburgh, PA - Roxian Theatre 08-01 Buffalo, NY - Town Ballroom 08-03 Portland, ME - State Theatre 08-06 New Haven, CT - College Street Music 08-08 Philadelphia, PA - Franklin Music Hall 08-09 New York, NY - Pier 17 08-12 Boston, MA - Roadrunner 08-13 Baltimore, MD - Ram Head Live! 08-15 Charlotte, NC - The Underground 08-17 Atlanta, GA - The Eastern 08-19 Fort Lauderdale, FL - Revolution 08-20 Orlando, FL - The Vanguard 08-24 Houston, TX - White Oak 08-25 Austin, TX - Stubb’s Waller Creek 08-26 Dallas, TX - Factory Deep Ellum

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Back in March, JPEGMAFIA and Danny Brown unveiled their joint LP, SCARING THE H**S , a genre-bending effort that consisted of 14 songs and a single assist from redveil. On Monday (April 24), the duo announced a forthcoming tour in support of the album that will take over big city stages this summer.

In a recent episode of “The Danny Brown Show,” they spoke on the album’s unconventional title, a clear reference to a popular phrase used when describing the fringes of hip hop.

“With music, I have such an unbiased air. I just be in weird corners,” said JPEGMAFIA , who’s also affectionately known by peers and fans as simply Peggy. “I like some weird s**t, but the way that people think I’m weird is the actual way that [Brown] be actually doing s**t.”

SCARING THE H**S is the first full-length effort from Brown since 2019’s uknowhatimsayin¿ Meanwhile, Peggy’s most recent solo project, LP! , made landfall in 2021 and was met with critical acclaim — specifically, an “offline” version that contained more songs and a rearranged tracklisting. Check out the full schedule for Danny Brown and JPEGMAFIA’s tour below.

“Scaring The H**s Tour” dates:

July 25: Nashville, TN — Marathon Music Works July 26: Louisville, KY — Paristown Hall July 28: Indianapolis, IN — Old National July 29: Cleveland, OH — Agora Ballroom July 30: Pittsburgh, PA — Roxian Theatre Aug. 1: Buffalo, NY — Town Ballroom Aug. 3: Portland, ME — State Theatre Aug. 6: New Haven, CT — College Street Music Aug. 8: Philadelphia, PA — Franklin Music Hall Aug. 9: New York, NY — Pier 17 Aug. 12: Boston, MA — Roadrunner Aug. 13: Baltimore, MD — Rams Head Live! Aug. 15: Charlotte, NC — The Underground Aug. 17: Atlanta, GA — The Eastern Aug. 19: Fort Lauderdale, FL — Revolution Aug. 20: Orlando, FL — The Vanguard Aug. 24: Houston, TX — White Oak Aug. 25: Austin, TX — Stubb’s Waller Creek Aug. 26: Dallas, TX — Factory Deep Ellum

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Jpegmafia and danny brown are here to blow up your function, the two rappers delight in 'scaring the hoes' on a joyously chaotic collab.

Sheldon Pearce

Rappers Danny Brown (left) and JPEGMAFIA embrace their abrasive sides on Scaring the Hoes , a joyously chaotic collaboration glued together by JPEG's collage-like production. Carlo Cavaluzzi/Courtesy of the artist hide caption

Rappers Danny Brown (left) and JPEGMAFIA embrace their abrasive sides on Scaring the Hoes , a joyously chaotic collaboration glued together by JPEG's collage-like production.

On the rap internet, "scaring the hoes" has become code for a certain type of hip-hop: anything abrasive or weird or super-lyrical, designed for repeat close listening. More broadly, the phrase has evolved into a euphemism for any rap considered unfit for a party or similar social setting. To play Death Grips at the function is to scare the hoes. Born from a meme of existential non sequiturs, the distinction is less about what women might actually enjoy listening to casually and more about guys missing common cues, not understanding that there is a time and a place for a specific kind of artist, one that might disrupt the natural flow of a gathering, or worse: something so intrusive or annoying that the most important patrons might leave.

JPEGMAFIA and Danny Brown are easy first-round picks for this category — craft-first eccentrics with singular catalogs that demand some recalibration of the ear. But on their new collaboration, it's clear the two rappers see that innocuous plea to simply let the Rap Caviar playlist run as something more sinister: a capitulation to homogenous, mass-produced music, fodder for revelers who couldn't begin to care about the form. Their mission is laid out flat on Scaring the Hoes' title track, with Brown pantomiming the breathless exploitations of a money-grubbing music executive: "Said it ain't about the bars 'cause it's all about the brand / Say it ain't about the art, 'cause it's all about the fans / Give a f*** about a fan, put the money in my hand." In response, the pair of MCs agree to embrace the pejorative as a challenge, delivering a hyperactive album that is as gratifying as it is overloaded, a truly jarring and yet refreshingly in-your-face display of restorative rap that refuses to go unheard.

Blaxploitation is a familiar influence for both JPEG and Brown, and the album's cover art invokes those aesthetics with a direct tribute to the 1973 film Sweet Jesus, Preacherman . But the music is even truer to the hallmarks of those movies: independently produced, conspicuously low-budget and gleefully transgressive. In this case, the pulp indicators are digital: the Nextel chirp and the default iMessage notification tone, Nintendo and Sega video game sounds, clips from obscure YouTube tutorials. JPEG produced the album on the SP-404, a sampler that has become a favorite for producers at live shows, and it gives the music an almost collage-like texture. The samples sound distorted, out of focus. The vocal flips, sourced from across an eclectic soundboard — Diddy's "I Need A Girl (Pt. 2)," NSYNC's "Gone," Kelis' "Milkshake," the anime The Vision of Escaflowne, a tourism commercial for Hokkaido — often morph to reveal a secondary form like a shonen protagonist. Unlike JPEG's understated last album, LP! (which he also produced, mixed and mastered himself), Scaring the Hoes is defiantly garbled, turning a squawking Dirty Beaches outtake into a brutalist rap flamenco on the title track or giving lounge-room jazz a raver feel on "Jack Harlow Combo Meal." All the while, its co-stars negotiate these set pieces like action stunt doubles, crashing through everything in their path with aplomb.

Collaborations are often about compromise or competition. Here, JPEG approached Brown with the idea (as a longtime fan), and their arrangement doesn't force either artist to sacrifice much. Brown practices his zany pimp raps as deftly as ever, and his whiny, off-kilter flows flap through the bustling production like a tube man being pulled through a car wash. Meanwhile, JPEG is the foul-mouthed comedian onstage mocking hecklers through a megaphone, challenging any keyboard warriors smearing him to single combat. There isn't much interplay — these two aren't natural complements like Run the Jewels — but JPEG's initiative suits Brown's cavalierness well. Brown is laid back while JPEG is on guard; when Brown is alert, JPEG is on standby, and this style creates a natural pendulum-like rhythm. On "Steppa Pig," Brown pops out curtly then cedes the runway to his partner. On "Where Ya Get Ya Coke From?" it feels like JPEG is warming up for the closer. This isn't meant to be a niche, punk-rap Watch the Throne or What a Time to Be Alive . This is a pair of weirdo bachelors bum-rushing the show. This is Wedding Crashers .

Noise rap is always a confrontation, seeking to either push you to the brink or pull you in closer, and the tenor of the taunting here leans toward the latter. "You satire, camp fires to Al-Qaeda / I'm like the only lighter in Rikers," Brown raps on "Shut Yo Bitch Ass Up / Muddy Waters" in one of many verses full of numb-faced, narcotic oversharing. JPEG navigates similar signifiers from a more aggrieved perspective: "Back in this bitch with the dope, she backin' it up for a gram / Baby, I cannot do nothing with hope, I'ma try molly and xans / Been tryna get me to ghost, boy, you ain't Kai, one twitch and you banned / 90 degrees with a coat, ho, and I ain't showin' my hands," he raps on "Steppa Pig." He's always been the cynic speaking truth to power (or trolling it), so it's fitting that he raps so much about the more colorful figures of statecraft here: There are smirking references to Hunter Biden, Ghislaine Maxwell and Matt Gaetz, and at one point a quip that the political left and right are the same. In a way, the album comes across as one epic act of s***posting.

And that, in a nutshell, may be the most clever way to play into the perception of "scaring the hoes": Create something deliberately repellent and dare the audience to stick around. Scaring the Hoes is a speaker knocker masquerading as a party ender, a super-referential album of gags and antics and innuendos with raps about gags and antics and innuendos. Criticism of late has favored talk of music that "sounds like the internet," but few recent projects can rival this one in its feed-like reproduction of context collapse and its Web 2.0-like compression of information. It has the ADHD-addled split focus and surrealist bent of hyperpop, yet it also has a grip on the online world's influence over the real one. In the span of a few minutes on "Burfict!" the duo cites r/WallStreetBets and meme stocks, shock YouTube streamer IShowSpeed and edgelord podcaster Joe Rogan, text-to-speech donations and G4's Attack of the Show! The album recycles kitsch culture into social capital until you can't tell the difference.

• Danny Brown

Danny Brown

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Latest setlist, danny brown on september 19, 2024.

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Peggy is a special case where the show will beat the fuck out of you if you put in the same energy he is screaming every lyric. My ribs are bruised, scratch that my whole body is still screwed and it's been two days but I regret nothing cause you only get an energy and act like this once in a generation. But it is stressed that if you have anxiety in crowds, still go just watch the havoc from the back.

Love u peg.

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He didn't even spit in my mouth. C'mon asshole. I have a family to feed out here and u have the audacity to be so ignorant. Gorsh. Like zoinks bro you smoke weed. Newsflash: WE GET IT BUDDY! I'm gonna drink my kombucha and meditate now Tata.

I ain't gonna waste time and write an article about the show was amazing cuz you already know, it's JPEGMAFIA. Borderlife life changing and the most raw, animalistic show I've ever been to. All Caps No Spaces indeed changed my life.

Peggy really cares about his fans and has such an unbelievable stage presence. His cool visuals and insane energy really make it. One of the best performances I’ve ever seen. Love you forever jpeg

goat, such a good show. come back to nashville peggy. ALL the hoes were scared. The pit beat the fuck out of me and smelt pretty horrible but overall you and Danny put on a awesome show

This guy will change your view on live performances, he often hugs the fans during the show and interacts with them as well.

peggy is really one of the best performers out there.

The ticket vendor had not notified me that the venue had changed from the First Unitarian Church to somewhere else so we were mad late and only got to see two songs. Bullshit.

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jpegmafia will be performing near you at Svn West on Friday 27 September 2024 as part of their tour, and are scheduled to play 18 concerts across 11 countries in 2024-2025. View all concerts.

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JPEGMAFIA and Danny Brown announce 2023 ‘Scaring The Hoes’ tour

The North American dates are in support of their collaborative album of the same name

JPEGMAFIA and Danny Brown have announced they will be going on a North American tour this summer in support of their joint album ‘Scaring The Hoes’ .

• READ MORE: JPEGMAFIA: “I’m not trying to be different. I am naturally different”

The run of dates is due to begin in Nashville, Tennessee on July 25. From there, the two rappers will embark on a 20-city stint throughout the US. Stops include Cleveland, New Haven, Philadelphia, Boston, Atlanta, Orlando, and Houston.

The final show of the tour is scheduled to take place in Dallas, Texas on August 26.

Tickets are on sale now – you can purchase yours here . Check out the announcement post and the full list of dates below.

https://t.co/daCSl3HYLY pic.twitter.com/ruaVpft8cB — Danny Brown (@xdannyxbrownx) April 24, 2023

‘Scaring The Hoes’ 2023 North American Tour:

JULY 25 – Nashville, TN, Marathon Music Works 26 – Louisville, KY, Paristown Hall 28 – Indianapolis, IN, Old National 29 – Cleveland, OH, Agora Ballroom 30 – Pittsburgh, PA,  Roxian Theatre AUGUST 1 – Buffalo, NY, Town Ballroom 3 – Portland, ME, State Theatre 6 – New Haven, CT, College Street Music 8 – Philadelphia, PA, Franklin Music Hall 9 – New York, NY, Pier 17 12 – Boston, MA, Roadrunner 13 – Baltimore, MD, Ram Head Live! 15 – Charlotte, NC, The Underground 17 – Atlanta, GA, The Eastern 19 – Fort Lauderdale, FL, Revolution 20 – Orlando, FL, The Vanguard 24 – Houston, TX, White Oak 25 – Austin, TX, Stubb’s Waller Creek 26 – Dallas, TX, Factory Deep Ellum

Recommended

JPEGMAFIA and Danny Brown’s collaborative LP came out last month and features the songs ‘Lean Beef Patty’ and ‘Scaring The Hoes’ .

Along with the release of the album, JPEGMAFIA shared a behind-the-scenes documentary of the artists at work on the project.

Uploaded to the rapper’s official YouTube account , the short film included footage of Brown laying down vocals alongside JPEG in a makeshift studio at one of the rapper’s homes. They also discussed influences and the musical direction for the album.

In other news, Brown recently updated his fans on the whereabouts of his sixth studio album, ‘Quaranta’ – accusing his management and label of delaying the release.

“Y’all gotta understand, me working with Warp – I don’t know with Warp and my management, man. I turned my album in two years ago,” he shared on his podcast The Danny Brown Show . “We’re still working on the album,” he continued, “and shit’s getting doper but at this point, man, it’s like where’s the urgency?”

In 2021 he made  his debut as a stand-up comedian , opening for Hannibal Buress at a show in Texas.

Meanwhile, JPEGMAFIA has said that ‘Scaring The Hoes’ is the first of three albums he will release in 2023 .

The rapper’s next album will follow 2021’s ‘LP!’, which  NME  described in a four-star review  as a “a wacky free-for-all fourth album” in which the “idiosyncratic Brooklynite shows the world how unique he is once again”.

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Dirkschneider

• October 7, 2017 Setlist

Dirkschneider Setlist at GlavClub, Moscow, Russia

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• Song played from tape Fire ( The Crazy World of Arthur Brown  song) Play Video
• The Beast Inside ( Accept  song) Play Video
• Aiming High ( Accept  song) Play Video
• Bulletproof ( Accept  song) Play Video
• Slaves to Metal ( Accept  song) Play Video
• Another Second to Be ( Accept  song) Play Video
• Protectors of Terror ( Accept  song) Play Video
• Fight It Back ( Accept  song) Play Video
• Can't Stand the Night ( Accept  song) Play Video
• Amamos la Vida ( Accept  song) Play Video
• Stone Evil ( Accept  song) Play Video
• Hard Attack ( Accept  song) Play Video
• Love Child ( Accept  song) Play Video
• Objection Overruled ( Accept  song) Play Video
• X-T-C ( Accept  song) ( Preceed by guitar solo by Andrey Smirnov & Bill Hudson ) Play Video
• Russian Roulette ( Accept  song) Play Video
• Princess of the Dawn ( Accept  song) Play Video
• Fast as a Shark ( Accept  song) Play Video
• Metal Heart ( Accept  song) ( Including guitar solo by Andrey Smirnov ) Play Video
• Balls to the Wall ( Accept  song) ( Preceed by guitar solo by Bill Hudson ) Play Video
• Song played from tape U Can't Touch This ( MC Hammer  song) Play Video

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7 activities (last edit by saby , 17 Oct 2017, 13:07 Etc/UTC )

Songs on Albums

• Aiming High by Accept
• Amamos la Vida by Accept
• Another Second to Be by Accept
• Balls to the Wall by Accept
• Bulletproof by Accept
• Can't Stand the Night by Accept
• Fast as a Shark by Accept
• Fight It Back by Accept
• Hard Attack by Accept
• Love Child by Accept
• Metal Heart by Accept
• Objection Overruled by Accept
• Princess of the Dawn by Accept
• Protectors of Terror by Accept
• Russian Roulette by Accept
• Slaves to Metal by Accept
• Stone Evil by Accept
• The Beast Inside by Accept
• X-T-C by Accept

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• Oct 04 2017 DK NAU Kyiv, Ukraine Add time Add time
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• Oct 07 2017 GlavClub This Setlist Moscow, Russia Add time Add time
• Oct 08 2017 Premio Center Nizhniy Novgorod, Russia Add time Add time
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